Mean Streets

  • USA Mean Streets
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The story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. (official distributor synopsis)

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lamps 

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English It's not yet the Scorsese we know from Casino or The Departed, but there's already a hint of the precise and groundbreaking filmmaker who would define the crime genre for the next 40 years. The master outlines the relationships and status among gangster "nobodies" in a way that is very patient and typical for the seventies, incorporating into the story classical music, the gloomy New York setting and mafia dens full of dirty money and scantily dressed girls. Most importantly, he begins his collaboration with De Niro and Keitel, his acting stalwarts, who both give great and believable performances. I probably made the mistake of watching this lesser known work after all the other and more famous gems Scorsese has made, and it was difficult to appreciate its quality given the expectations. But I still liked it and I will surely watch it again. For the time being, 70%. ()

3DD!3 

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English Not very much happens. Marty filmed a great filler with a couple of brighter moments. Excellent actors, Johnny Boy De Niro was most impressive and a surprisingly posh Harvey Keitel also does a good job. But so what, if the excellently written dialogs don’t have a powerful result. This is simply a prelude to Scorsese’s later, more fundamental movies. ()

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Kaka 

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English A fantastically portrayed atmosphere of New York in the 1970s with all the afros and the smoking, but, in terms of script, the film almost fails, because things get going only in the last 10 minutes. The rest is just a bar crawl with long shots with no editing, where the camera atypically flits around a bar trying to authentically portray the world of the time. Scorsese's start, De Niro's awesome performance. ()

POMO 

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English Martin Scorsese’s understated warm-up before his major projects (Goodfellas, Casino). Though his later works are more opulent and visually refined, Mean Streets definitely does not lag behind in terms of storytelling or portrayal of the characters. The perfect Harvey Keitel as a good-natured and decent gangster in training who protects and sticks up for his friend, an irresponsible fool played by Robert De Niro. De Niro, in a smaller role than Keitel, gives a delectably eccentric performance. An honest gangster movie filled with love for the dirty streets of New York and their vivacious inhabitants. ()

Malarkey 

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English I have a little problem with Martin Scorsese. His older movies are not fun for me, even though I consider his newer ones some of the best flicks there are. I’m such a heathen that I gave Taxi Driver and Raging Bull three stars, and I will do the same with Mean Streets. In this case mainly because it’s so boring. Well, boring might be too strong a word. It’d be safer to say that the story is not as captivating as other mafia crime movies, failing to make me give it 100% of my attention while watching it. ()

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