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Scarlett Johansson stars as the titular heroine who finds herself caught up in the dodgy dealings of the Taiwanese mob while living in Taipei. Forced into becoming a smuggler, she is drugged before a package is inserted into her stomach for safe transit. Lucy is then severely beaten for protesting her situation which results in the package bursting inside her and leaking into her bloodstream. As the drug takes over her body, Lucy becomes capable of using a higher brain capacity than humans are naturally accustomed to which makes her able to use telekinesis and absorb knowledge rapidly. Meanwhile, neurological scientist Professor Norman (Morgan Freeman) takes an interest in Lucy's evolution as she takes revenge on those responsible for her extraordinary transformation and evades those who wish to harness her powers for their own ends. (Universal Sony Pictures Home Entertainment)

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POMO 

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English How could a movie that tries to feed the audience such outrageous theories attempt to look so serious? And what was Luc Besson smoking when he wrote this? Scarlett Johansson made my eyes happy, but my brain got the medieval treatment. ()

Malarkey 

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English FINALLY! Finally, Luc Besson made me happy and once again, according to his feminist philosophy, he prepared a film with a female protagonist whose perfection matches the others that Luc managed to include in his films during that time. The only problem Lucy has is the fact that she has supernatural abilities, so it’s hard to compare her with Joan of Arc, Nikita or Mathilda. She has a bit of all of these characters but she remains unique. So I can’t help but feel satisfied about the kind of movies Besson keeps making to this day. I find it funny how a lot of people on this site dislikes his leaps from action scenes to explanatory or completely unrelated ones. I, on the other hand, enjoyed this very much. Besson has always been crazy in a good way. ()

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Stanislaus 

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English Lucy is a very strange film, on the one hand it captivates with its theme and execution, on the other hand it raises many questions and offers many illogical points. The idea itself is imaginative, a bit controversial, yet noteworthy. Who knows what would have happened if 100% had actually been achieved. Almost any scenario can be offered within the sci-fi genre in this regard, yet at times I thought it was a bit much. Nevertheless, I must praise the initial interweaving of the fiction sequences with the documentary footage, which together corresponded perfectly, and last but not least the magical music by Eric Serra. In short, a film that I admit I didn't fully understand, which isn't always a bad thing, but in this case it affected my judgement. ()

Kaka 

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English When you expect the female version of Taken and you get something between The Matrix, The Tree of Life, and Cloud Atlas, something is not right. The people behind this film let their imagination roam freely, the car scenes in Paris are VERY impressive, but that's where both the action and the overall script ends. The boldness is appreciated, and Scarlett Johansson tries her best, otherwise, it's a mess. ()

3DD!3 

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English Blatant guilty pleasure! I think that Besson saw Space Odyssey and wanted to shoot something similar, but in his own way and on an earthly scale. The result is a total mishmash from hands of an over-keen geek mistaking this thing for that, who cares about reality... But the entertainment factor is on maximum and Morgan Freeman’s gibberish about the capacity of the brain blends together with neat action scenes where anything is possible (The Matrix gone crazy) and planets that explode. They’ve even got dinosaurs! Awful claptrap that I wouldn’t hesitate putting on again sometime. Scarlett looks great of course and manages the acting fairly well. New Age Fifth Element. ()

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