Hustle & Flow

  • UK Hustle & Flow
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Producer John Singleton and award-winning director Craig Brewer bring to life the unforgettable tale of DJay (Terrence Howard), a pimp whose gritty hustle selling sexy Nola (Taryn Manning) and supporting pregnant Shug (Taraji Henson) leaves him wondering if this is it for him. Only when he trades contraband for a keyboard and bumps into his old schoolfriend Key (Anthony Anderson) does he see a way out by laying down some tracks and fulfilling his dream of becoming a respected rapper. When he learns Skinny Black (Ludacris), a local rapper turned mogul, is rolling through town for the 4th of July, DJay plans for the hustle of his life to get his voice heard. Winner of the Audience Award at the 2005 Sundance Film Festival, Hustle & Flow is an intense and brilliant portrayal of one man's struggle for redemption and inspiration on life's mean streets. (Shock Entertainment)

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gudaulin 

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English Placing the film in the crime genre is quite confusing because even though the protagonist ends up in prison and gunshots are heard in one scene, it's just another one of many films that depict the challenging journey toward achieving the American Dream. It's simply about how one outsider grits his teeth and, supported by the love of his fellow man, finds his way up. Gangster rap is a very specific genre that has brought many strange characters from the fringes of society to the peak of popularity, who have brought with them quite uncultivated manners and remain fundamentally uneducated, arrogant posers. Musically, it's not very interesting either because the power of rap and hip-hop has always been in the lyrics and in the personal experiences of street people, which are difficult to transmit. The main protagonist is a kind shepherd who stumbled into the profession by chance, and also thanks to bad luck, but at his core, he's still a good guy who can take care of his sheep with extraordinary understanding, and his favorite girl lovingly reciprocates to such an extent that one could burst into laughter. Overall impression: 50%. ()

Malarkey 

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English I originally didn’t even want to watch this film, but after a while of black catchphrases I recognized that I could give it a chance. In the end, I watched it to the end but not because I was excited about the film, but rather because out of shock at how somebody could live like this. Hip-hop is not my cup of tea, but in this movie the music quite makes sense. ()

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