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While visiting the Earth at Night, a group of alien botanists is discovered and disturbed by an approaching human task force. Because of the more than hasty take-off, one of the visitors is left behind. The little alien finds himself all alone on a very strange planet. Fortunately, the extra-terrestrial soon finds a friend and emotional companion in 10-year-old Elliot, who discovered him looking for food in his family's garden shed. While E.T. slowly gets acquainted with Elliot's brother Michael, his sister Gertie as well as with Earth customs, members of the task force work day and night to track down the whereabouts of Earth's first visitor from Outer Space. The wish to go home again is strong in E.T., and after being able to communicate with Elliot and the others, E.T. starts building an improvised device to send a message home for his folks to come and pick him up. But before long, E.T. gets seriously sick, and because of his special connection to Elliot, the young boy suffers, too. The situation gets critical when the task force finally intervenes. By then, all help may already be too late, and there's no alien spaceship in sight. (Universal Sony Pictures Home Entertainment)

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Lima 

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English That's right, when you don't remember anything and you're addicted to the digital atrocities of contemporary cinema (most of the FilmBooster users), you can't relate to a film like this. Taking inflation into account, it's the 4th highest grossing film of all time, but what makes E.T. the Extra-Terrestrial the most important film of the 80s is the response it got. A fairytale that brought everyone to tears in the cinemas, regardless of age (I witnessed it myself, even my tough father cried :o), at one time there was almost nothing else to talk about among people (only Sandokan and the series I, Claudius had a similar response in our country during the Bolshevik era), and a doll of E.T. was a must-have for every Czech family, and not only Czech – and I’m not even counting the failed movie clones that followed it. Simply, this film is a big phenomenon and anyone who says otherwise is lying. What’s most remarkable, though, is that it still works today (I have confirmation after today's Blu-ray screening). The way the whole film is essentially conceived from a child's point of view by the eternal child Spielberg, where we don't see the faces of the adults for the first two-thirds of the runtime (except for Elliot's mom, of course), the timing of each scene, and the gorgeous music by John Williams all make this film a unique affair that – unless you're a cynic, a jerk, or both combined – will bring you to tears at the end, too. ()

kaylin 

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English But yeah, as a family movie, there's not much to criticize about it, plus Spielberg has a knack for truly epic and memorable scenes. There are several of them right here. He also has a knack for the right actors. But I simply never got into "E.T. - The Extra-Terrestrial" and that hasn't changed at all even now. It's nice, but it just doesn't touch me. Maybe it's too cliché. ()

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Necrotongue 

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English How else should I rate a film which showed me what a pizza looks like and that you can even eat it? But seriously, this film was the best of sci-fi for me until Terminator and The Thing landed on the video store counters. Watching it today convinced me that E.T. still has something to offer. I've already tasted pizza, so that’s one mystery less, but I had a great time just the same. The level of special effects thankfully doesn't reach today's "amazing" digital qualities, so I was able to enjoy a film that blew my mind in primary school, and I still like it very much. ()

Othello 

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English My natural emotional defenses against cutely ugly windbags with funny voiceovers were not overcome, so I kept seeing a legless youth dressed in a costume. And it doesn't help that Williams has basically made an opera out of it, and the soaring loops don't let up for a minute throughout. But at the points where the real and memorable boyhood adventure shines through, it still works well, and I still experience the adult institutions as depicted visually in the film in exactly the same way. It's just a shame that instead of letting that suburban environment of broken families, junk food, broken toys, and unsupervised children bubble more in the background, the film focuses all its attention on the innocence of the protagonists, mirrored in the giant, virginal eyes of a friendly and harmless alien. ()

gudaulin 

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English Spielberg is a director who can work wonderfully with human emotions and has the gift of creating a perfectly tailored family spectacle. He has kept a sizable piece of the romantic boy inside him, who never stopped loving fairy tales and simply started fulfilling his childhood dreams and visions as an adult. His E.T.: The Extra-Terrestrial is a fairy tale with an idealized visitor from outer space, the kind that many children want to meet. A decent screenplay, a suitable budget, and careful direction make E.T.: The Extra-Terrestrial a timeless spectacle, where both children and adults are moved by the alien visitor. Additionally, at the time of its creation, it was a fascinating visual spectacle. Overall impression: 60%. ()

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