Blade Runner

I said to myself: "Don't turn it on. You're up early tomorrow. Can’t you hear school calling? You need to get some sleep. It's nine o'clock. If you press play, you won't turn off the computer until eleven. Hardly a full night's sleep! So be a good girl and turn it off." I replied to my schizophrenic self: "Okay," and pressed play. Often when I go to bed with a head full of questions, I wake up refreshed in the morning. What is it, I wonder? Tomorrow – and I know this for a fact – I will be rested. For I've had a few bugs planted in my head. I'll lie in bed with my eyes closed and reflect on what a wondrous world I've visited. I ask myself: "Their world was so artificial that it seemed the only living creature on the planet was human. What was left there for such a person?" And my other self answers pointedly: "Feelings. Emotions." Then I run my fingers over my temples. "Maybe that's why they wanted to kill the replicants. That even the last real thing they had was appropriated by organometallic compounds, if I put it that way." I fall asleep thinking about that dark and rainy world. Weird. I still don't understand what’s making me give the movie 4 stars. I'm confused – I feel nothing. Just neurons transmitting impulses. Maybe it's because Blade Runner gave me inspiration. It gives me something to dream about, think about, and write about (and damn do I love doing that!). Still; it was so morose... (10/11/2008)

I think I already know why I didn’t think the Blade Runner was my cup of tea when I first saw it. It is a visual orgy without a hint of emotions. Harrison Ford, who usually plays a hundred percent lovable characters, is in this movie almost invisible. In his case, it is a completely different role, which the audience may not like, but it fits perfectly into the visually precisely sketched future, which really enchanted me. (09/10/2017)

The genre of film science-fiction in its most mature form. Scott was able to combine excellent tricks, quality actors and, most importantly, the characteristically intellectual Dick story into a fascinating "noir" detective story of the future. The atmosphere is greatly helped by Vangelis's music and also by the fact that, rather than an action-developing plot, the film professes dialogue and slow movement forward. The fictional world around you thus acquires plasticity and, with a good constellation, engulfs you and imprints itself forever on the soul. And the story of humanity/inhumanity/artificiality is becoming more topical, not the other way around. Interestingly, the film does not win over viewers "seasonally", but gains them over time. Which, of course, is a great compliment to its qualities. (27/01/2004)

Even after more than twenty years, this is still a young, fresh, and innovative sci-fi film that has lost none of its appeal. However, Scott's visual vision, supported by Vangelis' music, completely overwhelms the content, which is far too simple in its nature and I certainly wouldn't call it a philosophy. I also don't see much soulful romance in Deckard's relationship with Rachael. I was much more impressed by the demonic Roy Batty whose speeches about the experience of living in fear and tears in the rain resonated with me for the rest of the film. This is a film cult for connoisseurs and for me an extraordinary experience after a two-year hiatus from it, which probably won't be as long next time. (03/01/2007)

A classic of the sci-fi genre, Philip K. Dick, always attracted filmmakers with his sophisticated stories, and there are now several film adaptations of his work. Blade Runner is probably the most famous, although I'm not sure how satisfied he would be with Scott's version. After the worldwide success of Alien, Ridley Scott was chosen to direct the film, thanks to his refined visual style. It is precisely the visual aspect that is the main strength of the film, which has become a classic of its genre and is part of the golden age of sci-fi cinema. Until then, no director had succeeded in portraying the idea of a futuristic megacity full of dehumanized technology and giant advertisements on the walls of houses so perfectly. The film now exists in two versions - the original with a happy ending of the main character flying off with the android Rachel to the idyllic countryside, and then in Scott's own director's cut, which is more complete and darker. The strong cast was led by Harrison Ford, and for his partner, Sean Young, it was a role she could never surpass. Daryl Hannah showcased a wonderful acrobatic performance as an android. Scott's Blade Runner is not strong in terms of plot but rather in visual stylization and atmosphere. Because of this, it is a good idea to watch it on a big screen. Overall impression: 90%. (18/01/2008)