Mean Streets

  • USA Mean Streets
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The story of Charlie (Harvey Keitel), a charming 27-year-old who is supported by his devoutly Catholic mother. He spends his days wandering the streets of New York City and nights hanging out drinking with his good friend Johnny Boy (Robert De Niro), a loose cannon that can't seem to escape trouble. Charlie's extreme affability makes him the middle man between his mob-tied uncle Giovanni (Cesare Danova) and various clients, as well as between Johnny Boy and Michael (Richard Romanus), a bookie who has become fed up with Johnny Boy's constant debt dodging. As the city's San Gennaro Festival takes over the streets of Little Italy, Michael seeks revenge on Johnny Boy once and for all. (official distributor synopsis)

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novoten 

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English Scorsese has always been able to give his key films an incredibly cool atmosphere. He managed to do the same with this unassuming gangster film. However, you have to play along with her game to really enjoy it, as the story unfolds through smoky bars, streets full of strange characters, or restaurants where cunning mobsters sit. So, the setting is exactly to my cinematic taste. When I add in the charismatic Keitel and slightly insane De Niro, I know that all that was needed was to thicken the plot and I would be paying endless tribute to Marty. 85% ()

POMO 

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English Martin Scorsese’s understated warm-up before his major projects (Goodfellas, Casino). Though his later works are more opulent and visually refined, Mean Streets definitely does not lag behind in terms of storytelling or portrayal of the characters. The perfect Harvey Keitel as a good-natured and decent gangster in training who protects and sticks up for his friend, an irresponsible fool played by Robert De Niro. De Niro, in a smaller role than Keitel, gives a delectably eccentric performance. An honest gangster movie filled with love for the dirty streets of New York and their vivacious inhabitants. ()

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Kaka 

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English A fantastically portrayed atmosphere of New York in the 1970s with all the afros and the smoking, but, in terms of script, the film almost fails, because things get going only in the last 10 minutes. The rest is just a bar crawl with long shots with no editing, where the camera atypically flits around a bar trying to authentically portray the world of the time. Scorsese's start, De Niro's awesome performance. ()

Malarkey 

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English I have a little problem with Martin Scorsese. His older movies are not fun for me, even though I consider his newer ones some of the best flicks there are. I’m such a heathen that I gave Taxi Driver and Raging Bull three stars, and I will do the same with Mean Streets. In this case mainly because it’s so boring. Well, boring might be too strong a word. It’d be safer to say that the story is not as captivating as other mafia crime movies, failing to make me give it 100% of my attention while watching it. ()

gudaulin 

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English In the film, it is evident that Scorsese was still exploring the world of cinema. His potential was apparent, and a social atmosphere of the 70s emerged on the screen - racism, the Vietnam War, minority integration, etc. The film follows the story of a foot soldier for the mafia who works as a collector for his influential uncle. He is not cut out for the job, not tough enough, but a family business is a family business, and being loyal pays off. Mean Streets lacks coherence, better character development, and work with them. The story is diluted into a chain of loosely connected scenes from the lives of the lower ranks of the mafia. It is nice to see the young faces of De Niro and Keitel, whom I had fixed as older guys from movies made 20 years later. The film itself, however, is only a slightly above-average affair. Overall impression: 60%. ()

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