Chinatown

The peak of 1970s grim noir crime investigation with the grand Jack Nicholson, who – apart from delivering a standard high-quality performance – can also add another notch in his belt representing more actresses in his favorite bed. Apart from the amazing Jack and the gloomy atmosphere, it’s a standard film noir. (17/08/2016)

The basic structure of the story is quite similar to L.A. Confidential, with mysterious murders, a lot of peripheral characters, a foggy and unpredictable plot, and slowly revealing connections that gradually fit into a complex pattern of the motive of the murder. Roman Polanski brilliantly captured the atmosphere of a classic noir film. Throughout most of the film you can see a constant twilight, which gives it a special mysterious touch. (13/04/2005)

I've heard maybe too much praise for the movie, and perhaps I'm already a bit influenced by the current state of the world, so the major revelation didn't feel that shocking to me. But it's still a great film, which Polanski guides with an incredibly sure hand to the end, and it offers no happy ending, which in this case is a good thing. (06/10/2015)

I have one problem with Chinatown, as deeply mysterious and conspiratorial as the story appears to be, I found it rather falsely super-clever and a bit unnecessarily drawn out in the end. But that doesn't change the fact that it works superbly as a colourful homage to film-noir, that the atmosphere is properly suffocating, the actors are excellent and that Polanski stages some of the climactic scenes in a very impressive, almost unique in its time, visual way. Rarely you’ll feel so sad that noir has disappeared from the film industry as when you watch Chinatown, a work of form that is undoubtedly perfect and beautiful... (09/02/2016)

I like Polanski’s movies. I have a weakness for noir. And for Nicholson as a young actor, when he hadn’t yet got into the habit of acting himself from various directions. Chinatown isn’t the best noir movie ever. But it certainly is one of the best. I can see just one “serious" negative. That it wasn’t filmed in black and white, as Polanski originally intended. (28/11/2004)