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Roy Pulver (Frank Grillo) has a helluva problem: Every morning, he’s slaughtered by assassins in different ways. Sometimes he’s shot, then blown up, or beheaded, or stabbed - then that days starts anew, on and on, for reasons he can’t figure out. A former Delta Force member, Roy needs to figure out why he’s stuck in this repeating loop in time and space, how he can save his ex-wife (Naomi Watts) and 11-year-old son, and what an evil military scientist named Ventor (Mel Gibson) wants with something called “The Osiris Spindle”. By setting things right, Roy can become the best version of himself - if he can save himself from being killed again. (Roadshow Entertainment)

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Reviews (9)

Necrotongue 

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English Boss Level is a bit of a mixed bag for me. The theme is seriously worn out, but hey, all the action and fight scenes were shot brilliantly, and the main character's quips were pretty funny, so as an action flick, it'd get a solid four stars from me. However... the creators didn't stop there. They delved into a philosophical and psychological defense of life's true values, forcing the viewer to activate at least a part of their brain from relaxation mode. And right at that moment, the film stopped working for me because, in my opinion, it didn't need to be more than a straightforward action joyride. That cost it two stars. As an action romp with undemanding humor, 4 stars; with all those pontifications and Mel Gibson's drawn-out fable about a boar and a snake, just 2*+. ()

Kaka 

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English Original, fast-paced, fun. Understandably, it doesn't surpass the conceptually similar Edge of Tomorrow, the plot is too trivial for that, but that was not the intention. Carnahan sets the viewer on a sarcastic note from the start and doesn't take his foot off the gas until the very end, which is appropriately weird. The buffed-up Grillo shows that he can be a pretty likeable dad in addition to a perfect figure, so for daring to take his acting creations a step further, it's definitely a thumbs up. Gibson, meanwhile, plays his grizzled bad-ass standard of recent years. ()

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Goldbeater 

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English Boss Level is a sufficiently fun and humorous action movie about a time loop, but after this year's refreshing Palm Springs, I found it a bit low for this subgenre. Mel Gibson needed more room to act, he practically enters to reel off a typically antagonistic monologue, but then he just turns up sporadically here and there during the rest of the movie. No epic "boss fight" takes place in the final. When the closing credits start to roll, you expect them to stop and the actual final scene to appear. But it never comes. In the end, the highlight of the movie is actually the bonding of the main character with his son, but for most of the rest, including the comically diverse minibosses, this movie is quite forgettable. However, it is quite a decent watch for what it is, but just not as good as it could and should be. ()

POMO 

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English For B-movie silliness with a video-game concept, Boss Level has a surprisingly fresh and imaginative screenplay with twists that take the story clichés twice as far in the plot as you would expect. And with a lot of original funny moments. Non-stop entertainment with a pleasantly light tone that (thank God) doesn’t take itself seriously at all. ()

wooozie 

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English I love films with a time loop and Boss Level sure is an enjoyable light movie, nevertheless, with the disadvantage of being neither as interesting (Source Code) nor as entertaining and visually stunning (Edge of Tomorrow) as the competition. ()

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