Brawl in Cell Block 99

The story of Lamps and Brawl in Block 99 or How recognition becomes wonder. It doesn’t matter that it's a "low-brow", almost abstractly violent film in which one guy beats a whole bunch of enemies to smithereens. Brawl in Block 99 is a unique, unpredictable and brutal alternative to the bloated grindhouse genre, where the protagonist is much closer to the common man and the style imitates his development, first with austerity and minimalism, then with the use of surreal environments and detailed violence, which becomes the only possible way out; and culminating in an emotional climax that will blow you away. A superb Vaughn and a brilliant Zahler, who was born for this brawl. I have a feeling that when future generations of viewers debate cult films from the early part of this century, this unprecedented carnage will be at the top of the rankings. (29/09/2018)

A huge surprise for me personally. The director S. Craig Zahler has already proven to me with the movie Bone Tomahawk this year that he has some potential, but I really had no idea that Vince Vaughn would convince me after his bad performance in True Detective. A very decent revenge film, which takes place in numerous locations, but even though we see the prison most of the time, you can’t say it is a prison drama. On the contrary. Imagine a simple PC game with a clear target in the beginning and you go through the first, second, third, fourth level… to finally get to the final boss. This film is that simple. Simple, but harsh, uncompromising and mainly the quality is really good. You will realize that in the fighting scenes. And you will also realize that Vince has a gift which he has never shown in all of his comedies so far. Why? That’s a good question. Now I hope that he will have a chance to film better and more interesting films than those he’s done so far. (21/12/2017)

Just another, regular day. You come home from work early and you find out that some jerk is sleeping with your wife. But you don’t go and rip his head off. No, you deal with it like a man and you try to rebuild the relationship and life you had before. But that requires time and money, so you start smuggling drugs… Brawl in Cell Block 99 stands mainly on Vince Vaughn’s minimalist performance (you’ll forget he ever played in comedies) and Zahler’s uncompromising approach to violence. The screenplay about Mr. Thomas and his journey taking him from prison to prison is full of broken limbs, stinking toilets and torture of all kinds. Since Bone Tomahawk, Zahler has improved his dramaturgic approach and the story has a much more consistent feel about it. The fantastic atmosphere where some scenes will make you want to barf, but you can’t tear your eyes from the screen is very special. Original. (31/03/2018)

Fucking awesome!! S. Craig Zahler didn't impress me much with his debut Bone Tomahawk, he did revive the dead western genre into horror with two solid gore scenes, but boredom was inevitable for me. His second effort, however, is thankfully different stuff! It stars Vince Vaughn, an actor mostly known as a B-movie comedian, but here he is transformed into an uncompromising badass that no one can beat both physically and mentally, and he delivers his strongest and best acting performance of his career! The first quarter of the film is rather tepid, but upon entering the prison, a very macho and tough guy ride begins, where the authenticity and realness literally gives you chills. For me, Red Leaf was quite possibly the toughest prison I've ever seen on film and the head warden played the heartless and unpleasant asshole with absolute grace. The very rough Zahler shoots the fights without a single cut and there is no shortage of broken arms, legs, spines and crushed skulls!!! The gore is shot very differently than in other films, so the question is who comes closer to reality? A very uncompromising, vicious, bleak, cold, intelligently written and brilliantly directed prison flick, the kind we haven’t seen for the last 20 years. It will definitely be fighting for the top spot this year. 95% (17/10/2017)

A bit better compared to the directors debut. The uncompromising violence is now not an end in itself, but serves well in the compelling story of the anti-avenger played by Vince Vaughn, the protector of a family for whom the role is a solid fling, thankfully in a positive sense. As a prison drama, it's probably not entirely realistic, but as a bizarre probe into the world of violence, unspoken emotions and anger, it is very impressive. Lots of long shots full of despair and grief interspersed with moments of unreal carnage where broken arms and crushed skulls are the order of the day. Zahler delivers something that you don’t see often in the film world, but it's also far from being for everyone. Similarly innovative in the prison genre as the recent Shot Caller, only much slower and rougher. (25/10/2017)