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Lou Clark knows lots of things. She knows how many footsteps there are between the bus stop and home. She knows she likes working in The Buttered Bun tea shop and she knows she might not love her boyfriend Patrick. What Lou doesn't know is she's about to lose her job or that knowing what's coming is what keeps her sane. Will Traynor knows his motorcycle accident took away his desire to live. He knows everything feels very small and rather joyless now and he knows exactly how he's going to put a stop to that. What Will doesn't know is that Lou is about to burst into his world in a riot of color. And neither of them knows they're going to change each other for all time. (Roadshow Entertainment)

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Reviews (9)

kaylin 

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English I was a bit afraid it would be simplistic, too straightforward, and indeed at times it feels a bit too naive, but both main actors give it the right touch. Emilia is truly enchanting. Moreover, the film doesn't end unnecessarily romantically, although it's still beautiful. But that's life, beautiful and cruel. ()

Kaka 

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English Fantastic relationship drama. It's not as complex and fateful as, say, The Age of Adaline, but Emilia Clarke plays perhaps the most likeable dumb girl under the sun, and that's not at all a bad thing. An emotional charge par excellence. Don't worry about whether it's realistic or not, just enjoy the show. And since we are in a time when all genres have to be super-clever and super-based, ideally conceptually groundbreaking, or at least innovative, this fresh old-school romance feels a bit like a revelation from another world. It's not really innovative in any way, it's just exquisitely polished and shot with care and feeling. ()

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lamps 

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English Nice. Compared to the untouchable The Intouchables, it’s is a bit too cloying and childish in an American way, with a clear-cut course and an ending adapted to the popular romantic trend (when will filmmakers finally get rid of the need to "deepen" emotionally impressive moments with wannabe touching songs?), but otherwise a terribly nice and likeable film about the need to help others, even if they don't ask for it out loud. Emotionally balanced, ranging from pleasant humour and irony to depression stemming from the hopelessness of life's situation and, except for the last few minutes, smoothly narrated and generally uplifting – especially thanks to the lovely Emilia Clarke, who emerges as a character capable of lighting up any scene with her mere presence and smile – Rachel McAdams has a serious (but welcome) competitor :-) 80% ()

Zíza 

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English It's stumbles at times, but it cracks you up and can make you cry. Surprisingly, it wasn't as superficial as I thought it would be. Absolutely all of the characters in the film tried to live as best they could as best they could (even if it might have meant death in one case). It was good to watch, it moved along quite nicely, and I liked the music because it was so familiar. No one was exaggerated into caricature. A simple story about love and how it's good to live if you can live. 75%. ()

Necrotongue 

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English I'm not a big fan of romance movies, as they tend to be too melodramatic and tug at your heartstrings. I'm not a fan of Emilia Clarke either, yet I was so close to giving this film five stars. The theme was extremely close to my heart. It wasn’t too sentimental, Emilia Clarke’s acting was very natural, and she changed her facial expressions in a funtastic way. I was hooked on the plot right from the beginning and enjoyed it all the way through. I was apprehensive before watching it as the running time of 110 minutes sounded scary given that it was a romance. The film made the best of that time and didn’t cease to be interesting. Unlike other romance flicks, it wasn't spoiled by the ending albeit happy. See if you can figure out what an unhappy ending would look like. I liked the film, I identified with the main character (except for the money part) and I didn't give it five stars just because the film sometimes reminded me of The Untouchables. ()

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