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Hardcore Henry is one of the most unflinchingly original wild-rides to hit the big screen in a long time: You remember nothing. Mainly because you've just been brought back from the dead by your wife (Haley Bennett). She tells you that your name is Henry. Five minutes later, you are being shot at, your wife has been kidnapped and you should probably go get her back. Who's got her? His name's Akan (Danila Kozlovsky); he's a powerful warlord with an army of mercenaries and a plan for world domination. You're also in an unfamiliar city of Moscow and everyone wants you dead. Everyone except for a mysterious British fellow called Jimmy (Sharlto Copley). He may be on your side, but you aren't sure. If you can survive the insanity and solve the mystery, you might just discover your purpose and the truth behind your identity. Good luck, Henry. You're likely going to need it. (Roadshow Entertainment)

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POMO 

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English The ultimate bachelor party with a lot of thoughtful details, Hardcore Henry is violent, bloody, witty, furious and visually stunning. It is an important genre event (somebody finally got it right!) and I believe that someone in the future will put this concept on a more complex story and thus make a breathtaking point. Then I will be the happiest man alive. ()

Malarkey 

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English Hardcore Henry, or how to use a shaky camera to create a stylish piece from the first person point of view, which draws you in and most importantly, and I feel obliged to say this, you see everything clearly, transparently and without any difficulties. Add in the fact that they did not bother at all with any age restrictions, which makes it a clear R rated film. The only thing that is missing to make this film perfect are some cool lines, as Henry during the whole film does not speak at all. Luckily, the acting is saved by Sharlto Copley, who has multiple roles here and moves between them in the blink of an eye. ()

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lamps 

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English I applaud the idea, admire the technical realization, and criticize the rest. Hardcore Henry is an unimaginably slick and stylish action flick, where some of the opening scenes (especially the free fall in the escape pod) spike the level of the viewer's experience to unprecedented, and you can really say revolutionary, heights, while the optimally set runtime and a lot of black humour, brilliantly provided by the film's best character(s), the outrageously loud Sharlto Copley, are also a hit. But that's where the good stuff ends, as the frantic, B-movie sci-fi story makes no sense, we know absolutely nothing about most of the characters, including the confused Henry, and the vast majority of motives remain unexplained and unfinished. It's simply too much chaos, which can still be excused for the adrenaline-fuelled action scenes, but even pure cinematic entertainment should strive for a more meaningful or at least more atmospheric plot – we can't even worry about Henry, as he's clearly a blend of every invulnerable Hollywood hero in history. And the last criticism is directed to the final long battle, which, instead of a climactic ending, is in my eyes the weakest action set-piece of the film. I did have fun and if I weren't such an opponent of computer games I might not have objected. 65% ()

Stanislaus 

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English Harcore Henry is definitely not a film for everyone, no question about it, but it impressed me as a viewer. You could say it's a kind of PC version of Kill Bill, riding a huge action wave of violence, blood, swearing, but also jokes and black humour (mostly provided by Sharlto Copley) from beginning to end. On top of that, everything is seen in first person, which makes the cinema experience all the more intense. As a result, this is a brisk flick that really has balls (unlike the one sleazy cop in the film), isn't afraid to go for it and knows how to sell it properly. ()

Kaka 

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English In terms of innovation of the action genre, it’s only an appetiser, because Hardcore Henry is far from a full-fledged cinematic experience. There’s no plot and the frantic sequence of action scenes can’t disguise the feeling that this farce is merely a consumer piece with a short shelf-life. Original, technically very accomplished, but also exhausting almost to the max. And this time there was no need for a second or third part, 90 minutes of the first one was enough. ()

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