Wild Tales

I didn’t really know what to expect from Wild Tales. A movie consisting of short stories usually has some interesting parts and some not so. But this movie has executed it perfectly. In my opinion, not one of those six short stories was mediocre, let alone bad. Some were prefect and some were “only” great. After I watched this movie, I realized that I have never watched a short-story movie that would already make me excited to see another story right after I’ve finished one, but Wild Tales have managed to do this with zero problems and won me over with each story. I liked the one where the two guys beat each other up by that bridge the most. I watched this for the Challenge Tour 2015. (09/04/2015)

Latin American Czech show Bachelors but this time cynical. None of the short stories lack a basic idea (if nothing else), but without exception, everyone here more or less lacks more elaboration of the introductory "cynical teaser", it does not hit the right note, it lacks gradation and punchline. Szifron has good ideas, but someone else should have written it for him in the form of a script. This is a waste of good potential, which still works mainly thanks to the duo of segments "Auto squabble" and "gritty bash". (01/05/2016)

A few more or less crazy stories that definitely don't spare the viewer. You don't know whether to cry, laugh, or maybe turn it off to keep your sanity. But the adrenaline that flows under the skin of all the characters will ultimately decide for you. You simply must watch this. Each of the stories is mediocre at the very least, but most of them are powerfully above average. I was most excited about the wedding and the tire. 4.5 stars. (01/03/2016)

Argentine bachelor's stories with a bloody coat of paint, sometimes insanely convulsive (the introductory Pasternak barely holds up as a TV sketch, even if the authors of Pečený sněhulák would tear off Szifron's hands), attacks on social criticism killed in shallow morals (jBombito and a story with a wreck), all character limits, structurally and ideologically defensible by the fact that they are "stories" and similar reductivity pertains to them. There is nothing to object to - I just claim that this is an unbalanced film, more for fun than really entertaining and it is explicitly shallow in its more ambitious moments. Only the final wedding is really "wild", but even then one’s smile is replaced by a slightly raised eyebrow. Purely filmed, audience-friendly, but otherwise absolutely amounting to consumer goods. It can be justified by the fact that the (un) ordinary absurdity of existence coincides with the films of Roy Andersson, but Szifron's film does not even come close to its penetration and vision. [60%] (10/09/2014)

The stories “Audi vs. redneck” and “a betrayed pregnant girl” are masterpieces – the former thanks to its atmosphere and filmmaking imaginativeness, the latter thanks to its dialogue and brutal escalation of an already hellish situation. The opening pre-credit scene is also great, with an unforgettable transition to the title of the film. The other stories were decent, though the last one could’ve been shorter, as it sometimes gets too long-winded and self-obsessed. As a whole, the movie is inconsistent both in its feel and formal aspects, but always fun enough. Finally, someone aptly filmed our daily social anxieties and disagreements with the system. (23/07/2014)