The Jungle Book

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Based on Rudyard Kipling's timeless stories and inspired by Disney's classic animated film, "The Jungle Book" is an all-new live-action epic adventure about Mowgli (Neel Sethi), a man-cub who's been raised by a family of wolves. But Mowgli finds he is no longer welcome in the jungle when fearsome tiger Shere Khan (Idris Elba), who bears the scars of Man, promises to eliminate what he sees as a threat. Urged to abandon the only home he's ever known, Mowgli embarks on a captivating journey of self-discovery, guided by panther-turned-stern mentor Bagheera (voice of Ben Kingsley), and the freespirited bear Baloo (Bill Murray). Along the way, Mowgli encounters jungle creatures who don't exactly have his best interests at heart, including Kaa (Scarlett Johansson), a python whose seductive voice and gaze hypnotizes the man-cub, and the smooth-talking King Louie (Christopher Walken), who tries to coerce Mowgli into giving up the secret to the elusive and deadly red flower: fire. (Walt Disney US)

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Reviews (13)

MrHlad 

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English Jon Favreau never really appealed to me as a director. Iron Man is a retrospectively weaker Marvel movie that stands and falls mostly on Robert Downey Jr. (and don’t get me started on the second one), Cowboys & Aliens is awful and Zathura is pretty good. Nothing more. So when he took a swipe at The Jungle Book, which everyone knows, I didn't particularly care for it. Which makes the result all the more enjoyable. It's not that it's a perfect film, at times it's quite choppy in terms of story (the part with monkeys could have been shorter), but as a film with ambitions to entertain young and old viewers alike, this journey among digital animals simply works. Favreau handles the action scenes, the suspenseful moments and the humour, and he also keeps an eye on the visuals. The Jungle Book is gorgeous, and the wilderness can even bear comparison to Avatar's Pandora. There's plenty to look at and I imagine the little ones will stare at the screen with utter delight, whether it's Baloo cackling, Sher Khan terrifying or Scarlett Johansson hissing. This is not a cinematic revolution or a film that will go down in history, but it’s a very proper genre film where almost everything works as it should. Well done. And I wouldn't mind seeing it a second time. ()

Filmmaniak 

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English An unadulterated, magnificent adventurous family film that pays homage to its genre and has a great chance of becoming a children's classic, which in a few years may have a status similar to that which The NeverEnding Story has today. Breathtaking visual and tricks, a gripping, moving and emotional story and a number of excellent, dynamically directed passages. ()

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D.Moore 

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English It's relaxing entertainment with a fantastic production design and unfortunately a few reservations, some of which are the fault of the Czech version (the songs have almost no energy) and some of which are the fault of the original (again the song, this time King Louie's, which doesn't really fit the scene, the underused snake Ka and the ending, which is surprisingly more fairytale-like than in the original cartoon). Otherwise, I liked The Jungle Book and I'm glad that Jon Favreau got the money for it after the general dissatisfaction with Cowboys & Aliens and that he did a good job. John Debney's music was also successful, relying mainly on well-known motifs, but he also has a few ideas of his own, and the best character is, of course, Baloo with Bill Murray's facial expressions. ()

Malarkey 

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English I do admit that at first I didn’t really feel like watching this flick. It was somehow getting under my skin that animals in a real, non-animated world could speak and that they spoke English. But after about ten minutes and several nice shots, I decided to bear with the film to see what would come out of it. I mean the book itself, written by Rudyard Kipling, had a very clever plot. And well, what eventually came out of it was one of the most beautiful digital films that I have ever seen. I don’t think you will be able to see such beautiful shots of the jungle anywhere else. It might be because of the digital effects. But it is a treat to watch it and once you’ve watched it, you will realize that you will never see a better adaptation of Kipling’s book in your lifetime. ()

Marigold 

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English Nostalgic escapism to the max. Two thirds pure pleasure from the creation of the world and a return to the values that defined me as a child, the last third a bit inevitable recognition that Favreau is not a magician, and if his cards are shuffled well, he simply plays a dignified game. Technically, it is without debate amazing, whilst the construction and gradation are slightly uncertain. But a few moments are not worthy of true emotion. ()

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