Don't Breathe

I used to believe in Fede Alvarez a lot, then after Evil Dead sent him packing – and now I am cautiously taking him back. Because in Don't Breathe there is none of the expected gore or cheapness, except for that specific basement episode, but in terms of genre, surprisingly ambitious composition lies in this eerie building. This game with audience expectations, where my relationship to the characters repeatedly and significantly changes, has no equal. Combined with the natural progression of scares and an unbearably intense scene in absolute darkness, I willingly overlook a few moments where a viewer with a taste for finding plotholes could show a bit of mercy. (08/07/2017)

I'm a little perplexed by Fede Alvarez's praised new release this year. Don't Breathe won both me and most fans over with its stylish trailer, but the film, although good, failed to captivate me much. I took the top-notch visuals and brisk pace for granted here, so I don't take these as plus points, translating more into minor downsides that distracted me while watching. Stephen Lang looks tough and commands respect, but he hardly speaks for the whole film, which bothered me, they could have given teasing dialogues threatening the thieves. Also, the guy who handled the sound would have deserved a slap, which at least for me took away the jump scares (for example, the scene with the dog, we see it three seconds before it barks, which lost the effect in me). The film is hardly brutal at all, compared to Evil Dead it keeps very low key, which also irritated me. None of the deaths are effective or interesting, and in fact there was a memorable scene missing that made me want to watch it again. The one twist that flickers throughout also doesn't hold much interest. All in all, an entertaining and at times suspenseful home invasion flick that masks its ordinariness with an original villain, but Evil Dead was a tribute much closer to my heart. Story 6/10, Atmosphere 8/10, Gore 2/10, Visuals 8/10, Action 6/10, Suspense 7/10, Humor 0/10. Entertainment 8/10, Scares 1/10. 70%. (20/10/2016)

Pleasure. The American dream is dead and blind. Want to shoot a relevant horror movie today? Go to Detroit, the set pieces are free. Don't Breathe is not as sophisticated as It Follows, but its game with genre proprieties is incredibly masterful. Brilliant work with space, economical and ambivalent motivation of characters, amazing physiognomy of Stephan Lang, pleasantly full sound component, solid work with the motif of limited senses (although the film tweaks the perception of the blind man from time to time as needed)... everything I need to spend an intense 90 minutes in the dark. After the hollow remake of Evil Dead, Fede delivered the thoroughbred and healthy self-confident insemination that the genre needed in the same way a Rottweiler needs gossiping. P. S. Don't Breathe is an interesting response to Gran Torino. (09/09/2016)

Fede Alvarez really captured my attention since Panic Attack!. But at the time, I had no idea that his creative skills would take a turn towards Sam Raimi and Timur Rodrigez. I am not saying that it’s bad, I just think that he could do better. That is very visible in this movie. Even though it pretends to be a horror movie, I would describe it rather as a thriller with illogical situations similar to those in horror movies. In this case, though, I don’t really care because the movie is mostly about the idea and the atmosphere, so it is fine when the director helps himself out with some illogicality. For example, I have to say that two of the three thieves in this movie have nine lives like a cat, because what they survive would be impossible even for Chuck Norrisʼs third cousin. But well... yeah, at least there is something to watch. (31/12/2016)

An imaginative combination of suspense aesthetics and cinematic action, a satisfyingly explosive and effective spectacle in a contained setting with minimal characters, devoid of genre predictability and pitting interesting anti-heroes against each other in an open-ended game of survival; all without plot digressions, superfluous dialogues and reprehensible clichés. An excellent and scary Stephen Lang, a likeable Jane Levy. The ending is a bit unnecessarily drawn out just to force all the hinted motives into the desired denouement, and there are some serious questions about the logic, but that doesn't change the fact that Alvarez succeeded and convinced me once again that horror filmmakers can still find fertile ground. (06/09/2016)