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Scarlett Johansson stars as the titular heroine who finds herself caught up in the dodgy dealings of the Taiwanese mob while living in Taipei. Forced into becoming a smuggler, she is drugged before a package is inserted into her stomach for safe transit. Lucy is then severely beaten for protesting her situation which results in the package bursting inside her and leaking into her bloodstream. As the drug takes over her body, Lucy becomes capable of using a higher brain capacity than humans are naturally accustomed to which makes her able to use telekinesis and absorb knowledge rapidly. Meanwhile, neurological scientist Professor Norman (Morgan Freeman) takes an interest in Lucy's evolution as she takes revenge on those responsible for her extraordinary transformation and evades those who wish to harness her powers for their own ends. (Universal Sony Pictures Home Entertainment)

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Necrotongue 

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English Revisiting Lucy after all these years, I found myself still enjoying it. Scarlett Johansson's presence on screen is never unwelcome. The story was simple yet engaging, with a good sense of pace and humor. Even though I have my own opinions on various scientific and pseudo-scientific concepts, when Morgan Freeman delivers them, I'm more than willing to suspend disbelief for a moment. The film was classic Besson: packed with action, Asian gangsters, and impressive special effects. The whole spectacle kept me entertained. What got me was how I could switch off my brain while watching a movie about maximizing brain capacity. / Lesson learned: If you have any say in it, never let anyone stitch anything inside your body. Not more than three cigarettes under the skin in case of a shipwreck. ()

3DD!3 

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English Blatant guilty pleasure! I think that Besson saw Space Odyssey and wanted to shoot something similar, but in his own way and on an earthly scale. The result is a total mishmash from hands of an over-keen geek mistaking this thing for that, who cares about reality... But the entertainment factor is on maximum and Morgan Freeman’s gibberish about the capacity of the brain blends together with neat action scenes where anything is possible (The Matrix gone crazy) and planets that explode. They’ve even got dinosaurs! Awful claptrap that I wouldn’t hesitate putting on again sometime. Scarlett looks great of course and manages the acting fairly well. New Age Fifth Element. ()

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D.Moore 

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English The beginning without powers was very entertaining and also suspenseful, the part after gaining them was less so, but still good, but the closer it got to the end, the more I stopped caring about Lucy. At least the film went by quickly, I wasn't too bored and I didn't need even 5% of my brain capacity to watch it. ()

Kaka 

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English When you expect the female version of Taken and you get something between The Matrix, The Tree of Life, and Cloud Atlas, something is not right. The people behind this film let their imagination roam freely, the car scenes in Paris are VERY impressive, but that's where both the action and the overall script ends. The boldness is appreciated, and Scarlett Johansson tries her best, otherwise, it's a mess. ()

Marigold 

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English It if was the 90's / Morgan Freeman speaking all the monologues after inhaling helium, I would give it 100%; but in this form, I value it mainly as a very amusing loss of judgment. Not everyone can do it with such commitment and dynamics as Besson (the chase in Paris!). I get the feeling that this is what the movie version of the Ass that pissed would look like. Unfortunately / Thank god that at a time when blockbusters are figuring out how to best employ 10% of your brain, the Frenchman's uncontrolled swelling in the remaining ninety is rather a nice bit of bizarreness. BTW, Choi is sick and Scarlett tries quite playfully to play even the stupidest scenes, such as a drug-filled, sensitive phone call to her mother. I'm not actually mad at Lucy at all, because once in a while you need to flush out your synapses with someone else's madness... [50-70%] ()

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