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Set in 79 A.D., POMPEII tells the epic story of Milo (Kit Harington), a slave turned invincible gladiator who finds himself in a race against time to save his true love Cassia (Emily Browning), the beautiful daughter of a wealthy merchant who has been unwillingly betrothed to a corrupt Roman Senator. As Mount Vesuvius erupts in a torrent of blazing lava, Milo must fight his way out of the arena in order to save his beloved as the once magnificent Pompeii crumbles around him. (official distributor synopsis)

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3DD!3 

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English Flat like a week-open can of Bud. This time it isn’t Anderson’s fault alone. A screenwriter’s mishmash of Gladiator, Spartacus and Dante’s Peak suffers from inane dialogs and mostly predictable plot. Jon Snow is a bit stiff, but if he doesn’t attempt any romance, he’s bearable. Kiefer gets almost perverted enjoyment from playing the villain from the Reich, but that doesn’t make the end result much better. The only really good thing is Shorter’s music, the volcano action in the finale, and I was surprise that it was all over. Do you like sport? ()

Kaka 

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English A prequel to Gladiator with embarrassing sets, decent fights, especially considering that it’s PG-13, but there are too many references and similarities that are reproduced too clumsily to be nodded in agreement. The acting is basically nothing and the script is a big pile of pathos and a confusion of all the clichés. All that remains is solid visuals and that's it. ()

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D.Moore 

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English Although Paul W.S. Anderson has made a number of downright stupid films so far, most of them have at least entertained me in some way. Not Pompeii, though. The wait for the special effects frothing was extremely long, and when I got it, I felt that it should end again. I wasn't impressed with the central duo either, but Kiefer Sutherland was clearly having a good time. At least someone was, right? ()

novoten 

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English When the love or motivation of the main characters is formed by a single bit of dialogue or a transparent situation, not even excellent casting can help. Kit Harington, Kiefer Sutherland, and Adewale Akinnuoye-Agbaje can work hard to bring some freshness to their stereotypical characters, but it only lasts until the script inserts another one-word confession into their mouths. After the highly entertaining The Three Musketeers, I expected Paul W.S. Anderson's next journey into history to be a perfect fit, but despite the fights, horses, destruction, or lava of Pompeii, it puts you to sleep more than it entertains you. ()

Malarkey 

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English Pompeii is exactly that kind of movie about which I’ve read bunch of opinions from the self-proclaimed experts that the movie is going to suck before it was even released. It is created by Paul W. S. Anderson and he has never shot a good movie. The local reviewers and know-it-all experts had a clear opinion even before they watched the movie. What else should I expect? For a change, I kept my mouth shut and waited until I actually saw the movie. And I have to say I was surprised by decent filmmaking, which was however not set in the ancient Rome, but in the ancient Rome modified by the Americans. But I can get over that. I liked the actors, I liked the story and most of all I liked the second half of the film, which turned the locations into an absolute hell. So I can’t really find any flaws with Anderson’s work – this is just exactly what I was expecting from him and what I also truly enjoyed. ()

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