American Hustle

Well, spank my ass and call me Charlie. A movie made by a hell of a director with actors that could fill up a hall of fame, but still the movie turns out bad. I can’t remember the last time I felt so terribly disappointed. Sure, I did see the reviews here, but I kept telling myself that people simply didn’t like some aspect of the movie. But what I didn’t expect is that the aspect was the entire movie – literally all of it. I mean everything about the movie is bad. Let me start from the beginning. The screenplay is absolutely terrible. This must have been written by some lunatic who paid to have his screenplay made into a movie with A-list actors, or I don’t know what else to think. It’s a mixture of boredom, greyness and lack of interest… it’s absolutely terrible and it won’t keep you entertained even at the end. And that leads to the individual characters, the setting, the non-existent humor. All of it. Literally. The two stars are actually quite a good rating as this is a joke gone bad rather than any kind of a hustle. Compared to other movies in a similar vein, this is incredibly sub-par. (06/02/2014)

Funny, I never noticed that Amy Adams and Jennifer Lawrence have such amazingly sexy breasts. And I had no idea that it was their image that must have been the most intrusive to the academics when putting together the Oscar nominations. How else can you explain that this is supposed to be the best film in a year that also gave us the privilege of seeing such cinematic gems as Gravity, Captain Phillips and Prisoners? Perhaps it's stylish in its attempt to mix pop culture dialogue and arthouse retro gangster, perhaps it's superbly acted by a group of stars who parody themselves so nicely with incredible verve (except for Cooper – he plays his standard), and maybe I don't even regret waiting patiently for the expected hectic conclusion, but neither of the aforementioned pluses (not even the boobs) can elevate American Hustle to the level of a film worthy of such Oscar attention. And paradoxically, everything here is visibly focused on material awards – it’s not for nothing that they say that less is sometimes more. 65% (01/03/2014)

We weren’t wrong about David O. Russel the first time. American Hustle wants to be a refreshing, engaging and vibrant gangster movie and manages it quite well. At times, it tries too hard, especially with the at times surprisingly and intentionally weird behaviour of some of the characters, but it never gets to the point of bothering me. The performances are superb without exception. It’s delivered as a comedy and I take it as such. This time Russel doesn’t try to unsuccessfully portray romantic relationships or social conflicts, which I take it as a plus. For me, good fun and satisfaction. (05/01/2014)

The nominations are understandable, but I wouldn't feel like watching it again, and if I did, it would only be because of a few scenes that are worth it mainly thanks to the fantastic performances, the great aesthetics, the costumes, and the uplifting music hits from the 1970s. But it is finely tuned and woe to the viewer who pays attention to the sophisticated character motivations and the great psychology will be satisfied, though not amazed. It's too slow and uneven with countless dull and unnecessary moments, where all that's left is to indulge in the superb visuals, which is not quite okay in a dialogue-driven film. (27/06/2014)

Omniscient narrators, stylish slow moments, and a dancing Bradley Cooper as the director's good luck charm. The master David O. Russell has not only mastered the art of pushing actors to unforgettable performances, but has also been conquering the forms of more and more genres. In this cunning mess, he succeeds even better the more superficial and confusing the whole American Hustle seems to other viewers. A tour de force from Amy Adams is just the sweetest cherry on top. (30/01/2014)