Star Trek Beyond

The third part of modern Star Trek movies differs from the previous two parts in that it puts much more emphasis on the starship crew and humor at the expense of the story itself, which is simplified to an absolute minimum. You can easily find the story boring, compared to the second installment, but you will be laughing from the beginning to the end. For example, Simon Pegg definitely enjoyed himself portraying the character. And rightly so because he contributed to the script. And it shows. You will laugh not only at him, but also at a number of other situations that make the Enterprise crew one of the best ones in today’s blockbusters. Which is definitely good. Thanks to that, the whole movie series came closer to the TV series itself, and I think that any Trekkie could certainly appreciate this. It’s not just about being a modern flashy digital movie, but also about the cool atmosphere during the whole film. And you get loads of it. (07/06/2017)

Perhaps the most elaborate script of the series, killed by the jockeying of the action races, where the routine waterfall of attractions is mostly spent sadly reminiscing about the times when two big destructive events were good enough and the rest was made up with fancy characters and casual humor. One witty line about stalking and a dozen fast and furious "copy & paste" shots for a hundred and twenty minutes. A clear aspirant for the Top 5 blockbuster shits of the year. (21/09/2016)

The dynamics of the crew are the main focus here, as the relationships between the characters (and the chemistry between the actors themselves) are the key to the whole story. While the first installment was about finding one's true self and the second deepened the relationships, this time the Enterprise embarks on an episodic space adventure, which unfortunately loses some steam after the intense action in the first encounter with Krall. Luckily, the dialogue does not fall far behind, and the change of gears in the story is quite beneficial, as Scotty and McCoy have more space than in the previous films, while Uhura surprisingly takes a backseat. Without a perfectly graded finish, I'm not sure, I'm not sure. The individual storylines sometimes struggle to come together, the antagonist doesn't have a chance to gain points until his (albeit expected) identity is revealed, and it is only when the dusty motorbike kicks into action that the true cosmic ride begins with all the promised thrills. A stronger 70%, which paradoxically works perfectly as a farewell to the current crew. (25/08/2016)

I'm not setting off into the unknown next time. I have no problem with the characters, the lines are pretty funny too, but the biggest letdown is the action. It lacked any kind of suspense and was quite confusing at times. Only the soundtrack got full stars from me; otherwise this was boring. 2 stars (11/09/2016)

As a space opera, it's more in the department of Mark Stone than "intended" Star Trek (only introductory ten minutes are in line with the latter one), the pace is furious as in the blockbuster movie and it's packed with action, but the action scenes are way too confusing, and so paradoxically the movie works best as a one-liner comedy, which is not taken seriously, not at all. And it helps a lot. (17/08/2016)