The Amazing Spider-Man 2: Rise Of Electro

  • USA The Amazing Spider-Man 2
Trailer 1
USA, 2014, 142 min (Special edition: 165 min)

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It's great to be Spider-Man (Andrew Garfield). For Peter Parker, there's no feeling quite like swinging between skyscrapers, embracing being the hero, and spending time with Gwen (Emma Stone). But being Spider-Man comes at a price: only Spider-Man can protect his fellow New Yorkers from the formidable villains that threaten the city. With the emergence of Electro (Jamie Foxx), Peter must confront a foe far more powerful than he. And as his old friend, Harry Osborn (Dane DeHaan), returns, Peter comes to realize that all of his enemies have one thing in common: OsCorp. (official distributor synopsis)

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Reviews (10)

Malarkey 

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English Already with the first instalment I was telling to myself that Amazing Spiderman is a terribly unnecessary affair. On the other hand, this Spiderman is much more comic book-like, which makes it more interesting. It is true that although I went to see both of these movies with reluctance, at the end I was completely satisfied in both of these cases. The only shortcoming of the second instalment is the fact that there are more déjà vu moments reminding you of the first movie, especially in all scenes with young Osborn. Anyhow, the fact that the creators placed their bets completely on the cast made me watch this and spend over two hours enjoying the view. Andrew Garfield is cool and Emma Stone and Felicity Jones are great. So whether you like it or not, you just can’t be angry with this restart. ()

Marigold 

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English The first film was about hormones, the second accepts the fact that it has to expose the character to something more fundamental (death, responsibility, loneliness) and somehow develop and problematize the character. Unfortunately, there is a syndrome of beating empty straw with the expression of a farmer whose cattle have died. The clichés and love twists are so stupid that even the nonchalant Webb loses grace and the whole thing is reminiscent of the weak moralistic moments of Raimi's trilogy. A certain inconsistency also continues between the detached adolescent escapades in the clouds and quite harsh moments (the introductory scene is something like Nolan would do) / an effort to motivate the villains more comprehensively. It's nothing that Spidey would excel at, so exactly, as was said here - the action is excellent and imaginative, whilst the link between it is a bit barren. Still nothing that offends me, but also nothing I would watch with increased attention and affection. ()

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NinadeL 

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English With the overlapping romance with Gwen Stacy, who is very iconic in the original comics, this story takes on a new dimension. The friendly enemy is also quite a nice element. It really doesn't take much to make even the umpteenth Spider-Man interesting, just don't retell the original and it's much more consumable. ()

Stanislaus 

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English A lot of users here complain that this film is boring, uninspired; the same old fairy tale. But I personally liked the second/fifth outing of Spider-Man and got everything I needed at the cinema. On the audiovisual side, it is good, the effects are nice and impressive, and it was all underscored by Hans Zimmer's impressive music. The story was simple, but I wasn’t expecting anything else. I both laughed and grieved at the film and marveled at the action sequences. Halfway through, I thought I would only give it three stars, but the last twenty minutes made me rethink everything. In short, a typical popcorn movie that will disappoint especially those who expect too much from it – I was satisfied, though. ()

POMO 

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English How to rate a film that is visually beautiful, technically well-crafted and boosted by Hans Zimmer’s music, but its content is just so incredibly boring? After all, even animated movies for kids have more imaginative and fresher scripts that meet the kids’ parents halfway. Given that The Amazing Spider-Man 2 follows a long line of comic book blockbusters, the feebleness of its plot is unacceptable. Half of the film is filled with a romantic storyline, the monotony and clichéd nature of which leave the audience speechless, while the other half consists of skirmishes with bad guys that would look overused and dull already in the second instalment of Sam Raimi’s trilogy. Zero development, no winking at the viewer, nothing. Without any juice or a hint of creativity. Stale water boiled twenty times over. Nobody can make me watch the next episode; I’m quite done with Spidey. ()

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