White House Down

  • UK White House Down
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When Washington DC policeman John Cale (Channing Tatum)'s interview for the Secret Service goes badly, it seems he will be denied the chance to serve President James Sawyer (Jamie Foxx). However, when a group of paramilitaries under the command of Stenz (Jason Clarke) launch an assault on the White House and take Sawyer hostage, Cale is offered an unexpected opportunity to redeem himself. Attempting to protect his daughter Emily (Joey King) on one hand and to take down a gang of highly trained mercenaries on the other, Cale will have to prove his mettle in spectacular style if he is to save the nation and its president from the evil designs of Stenz. Will he be up to the task? (Sony Pictures Releasing)

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Malarkey 

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English It’s a movie by Roland Emmerich, so what else could I have really expected? I mean, yeah, I could have expected something else because he already blew the White House into pieces once in Independence Day. Here, he just looted the president’s quarters, ruined the president’s lawn, his pond and so on. It was nice to see. I was almost wondering if this movie replica was really close to the actual White House. Because if it was really accurate and I was a terrorist, I would have considered this movie an educational tutorial. The movie is sort of a well-done action classic which is something Roland’s simply good at. You can’t deny that and I had a good movie to chill with. ()

lamps 

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English I don't know what Emmerich imagines by the presidency, but it certainly isn’t only boring paperwork and a sea of routine meetings. And it’s his unique approach, which allows a group of terrorists to completely take over the most guarded building in the world in ten minutes and make action heroes out of everyone involved, starting with the president and ending with an eleven-year-old girl, that once again makes the whole spectacle tremendously entertaining, leaving in the minds of genre fans such an apt sense of déjà vu, which in recent years has only been taken care of by a bunch of certain expendable dudes. What does it matter that the film is crammed as many clichés as The Rock is packed with steroids, when everything is deliberately handled with such flair and filmed so expertly and nicely? Moreover, the actors are visibly enjoying their roles and the director takes as much pleasure in each empty clip as if it were to be his last. I'm definitely amazed that the movie got bad review at Cinema magazine. That reviewer doesn’t seem to be a proper gourmand. :D 75% ()

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DaViD´82 

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English Who would have thought that Emmerich’s classic approach to the action movie genre would suit Roland’s “turn on the computers and generate me destruction of world monuments" approach so well? If you took the best from White House Down (that being Butler with Eckhart and R`s uncompromising nature) and got rid of occasional infantility and family escapades, it would be enough for the local John to say “Yippy-ki-yay motherfucker" and it could make a dignified Die Hard sequel. ()

Marigold 

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English Democrats have also filmed their action blockbuster after Republicans did so. There is less blood, more conscious 12- bloggers, more peace, right-wing radicals, black presidents who are cool and vulgar, more corrupt arms lobbyists, and a less bipolar worldview (but it does not relate to the domestic political situation). Emmerich continues his world-saving mission started by the eco-agitation film The Day After Tomorrow. However, this soft and politically correct derivative of Die Hard shows that Roland's hand is shaking and the film thus reminds us of a joint afternoon of South Bohemian Mothers and Children of the Earth. Everyone here does what they like, and the result is the sunny confusion, to which Tatum and Foxx give some sort of order. If I have to choose between the swollen milksop Butler or the sleek Tatum... I give up my right to vote. PS: Sorry, in the end I vote for Roland the day after. ()

Kaka 

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English I wouldn't exaggerate it with those superlatives, the only thing that White House Down has over Olympus Has Fallen is lightness, detachment, and less pathos, everything else falls behind heavily. Old-school action? Where? Maybe one or two fights and high-quality "physical sounds", the clarity is minimal, the rating is lethal, and the overall editing composition is heavily off. In action scenes, it is mainly the editor who can get the necessary pace into the sequences, and it didn't go very well here. Gerard Butler is better than Channing Tatum, no matter what anyone says, though, surprisingly, the latter excels in comedic and light moments rather than in action ones. And so the film's reins must be taken over by James Woods and his gang, who are constantly showing a barrage of looks and emotions. Perhaps Ronald Emmerich's work is genre-consistent and a tribute to the '90s, but in a direct battle with its older brother, it loses. ()

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