Inside Llewyn Davis

At certain moments, the uncomfortably familiar feeling of being lost, weary, and lonely during the grayest American winter in many years. It could perhaps be argued that the muted colors go a little too far in the overall bleakness of the film, but to its credit it is constant in its mood throughout and doesn't really offer any way out that would otherwise kind of belie itself. A surreal journey of several days to Chicago, where time stretches out into a seemingly endless black mass from which there is no escape, as all around is a frost-covered wasteland bordered by cones of car lights, is the Coen brothers' darkest period. "I'm tired. I thought I just needed a night's sleep but it's more than that." (09/04/2018)

Even though the Coens still have their own poetic style, even though this film has absolutely fantastic music, it is not something I would consider exceptional. The Coens delve into their absurd drama about a singer, we follow his fate, his "success" during one week, but to make the impression stronger, just like him, we also do not find a resolution. Unfortunately, this is not a film that would enchant me, no matter how well-made it may be. (10/02/2014)

The saddest film by the Coen brothers with their unrivaled, least sympathetic protagonist. It sounds like a bittersweet folk hit about a guy who was out of it his entire life. You know exactly where the verse, the chorus and the specific rhyme belong. And that's the power of a simple song that crept under my skin like frost and the purring of a cat. Nothing profound, just a beautiful experience that needs no explanation / defense. [85%] (13/02/2014)

The Coen brothers and their ideas are just really fun. It’s true that they don’t always nail it, but that’s the way life is. Some things just don’t turn out well. It might be given by the fact that when it comes to the story and its atmosphere, it’s simply non-interchangeable with anything else in the industry. And I have to admit, I really enjoyed the story of the musician Llewyn Davis. I enjoyed the campfire music he sang there, I liked the cat, but I was also interested in the thought processes that put Oscar Isaac on thin ice one minute after another. I really felt like I was inside that character’s head. And that ending? It was so dreamy… I love this kind of movie endings. If you love Bob Dylan, you’ll like the movie too. The Coen brothers are just good at this. (01/03/2014)

A movie that, in my eyes, makes up for the fact that it talks about unpleasant life situations in an all-too-pleasant way. The steady pace of the episodic narrative is this time not disrupted (in a positive sense) by any exceptional supporting character or any charming filmmaking idea by which the Coens dissect the superficiality and get down to their typical atmospheric poeticism. Isaac is fine and the music is nice, though it will be appreciated mostly by folk enthusiasts older than 80 or so :) 70% (06/02/2017)