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General Cypher Raige (Will Smith) is an important figure in the new civilisation humans have built on Nova Prime following the mass departure from Earth centuries before. After a lengthy tour of duty, Cypher is looking forward to spending some time with his 13-year-old son Kitai (Jaden Smith). However, when Cypher and Kitai's spacecraft is damaged in an asteroid storm, forcing them to crash land on the abandoned Earth, the necessity of father-son bonding is accelerated. With Cypher critically injured from the crash, Kitai must find a way to signal for help on a planet reclaimed by nature, ruled by hyper-evolved animals and containing the alien creature who has escaped from the wreckage of their craft. (Sony Pictures Releasing)

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Malarkey 

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English This movie has such a precise filmmaking that it’s almost a shame that it’s ruined by individual moments that I simply can’t look past. After Earth is a great movie with an interesting premise and a directing that Shyamalan really nailed. But the really decent overall quality is ruined by, for example, the relationship between the father and the son, thus between Will and Jaden. I thought that it was all too serious and over-the-top. Actually, I didn’t manage to form any kind of relationship with them throughout the entire movie. It felt as if two human robots were on screen. A father with a broken leg talking all sorts of nonsense due to a delirium and a son with a mission that not even the best SAS unit could take on. I was also bothered by some of the individual scenes, like the one in which Jaden jumps off a mountain. I was getting over that for quite some time. But hats off! Shyamalan can still shoot the movies he himself believes in, even with a compromised career. And then the entire movie ends up looking really great, but after about twenty minutes of a “wow” atmosphere comes some sort of a nonsense that makes me sick to my stomach. ()

Filmmaniak 

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English Shyamalan once again showed that he is not that bad of a director, but also that he really should not write screenplays. The story is primitive, full of dementia and clichés. Smith Jr. in the lead role is also no money-maker. This interesting topic (from Will Smith's brain) could certainly have been more than an expensive-looking and story-free sci-fi about a father-son relationship. ()

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3DD!3 

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English An inoffensive drama (taking place in the future) about the relationship of a fearless general (strangely detached Will) and his lily-livered cadet son (lily-livered Jaden) and their attempt to get off the planet that they crash landed on. Shy stumbles into one disaster after another, but here he is on top of the direction and he even comes up with some bright ideas. A straightforward and simple story about dispelling fear is very flimsy and the transformation at the end was very forced. So only a fair amount of blood and killer animals keep it above water. Just right, really. And how the Earth started to flourish as soon as those parasites had rocketed off elsewhere... ()

Kaka 

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English After Earth has basically one disadvantage, that it is relatively pathetic and quite predictable within the post-apocalyptic genre, which it down to average. Otherwise, it is a solid film in every respect, even the acting wasn’t bad. Of course, the father is better than the son, but that was expected. Visually very attractive, with interesting and atypical production design and surprisingly, it is often quite captivating. Shyamalan has kept to what he always does, Regardless of the quality of all key aspects, he is always original. ()

Lima 

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English Jaden Smith is a supremely unlikeable brat who happens to have a charismatic dad who’s burying him a successful career by pushing him hard into production and acting. And the film itself? An embezzlement of a 130 million budget, though better than Shayamalan's last three flicks, but that’s nothing to be proud of. ()

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