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Bearing a mysterious metal shackle on his wrist, an amnesiac gunslinger (Daniel Craig) wanders into a frontier town called Absolution. He quickly finds that strangers are unwelcome, and no one does anything without the approval of tyrannical Col. Dolarhyde (Harrison Ford). But when Absolution faces a threat from beyond Earth, the stranger finds that he is its only hope of salvation. He unites townspeople, outlaws and Apache warriors against the alien forces in an epic battle for survival. (Paramount Pictures AU)

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Malarkey 

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English I was really excited to see this, even despite the strange and incomprehensible story. I thought that nothing can be more surprising than a fight between the 19th century cowboys and aliens who decide to visit an arid town in the middle of the American prairie. Let’s face it, it was all a load of hogwash, but I must admit that I had fun. The actors were cool. Their performances were standard. Harrison Ford’s might have been a bit better. He’ll probably always be charismatic. In any case, the movie’s main currency were special effects – and the authors really put a lot of work into those. It’s true that the story starts getting insane halfway through, but I didn’t really mind that much. I enjoyed it and I think that at the cinema, this experience would’ve been on a whole new level. ()

Kaka 

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English What initially appears to be an unconventional B-movie, full of juicy visuals (you can see the signature the director of Iron Man), gradually turns into a pile of clichés and a dull display of various forms and quality of visual effects. It's been a long time since I've seen something so conceptually and dramaturgically mishandled, like the ending of this film. Cliché upon cliché – a final battle and a classic catharsis the likes I've seen a million times before. Perhaps nobody expected much from this film, judging by the title, and they won't get much either. I don't understand the insane budget. ()

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Marigold 

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English I don't quite know if there's a more tragic screenplay that sometimes becomes unnecessarily entangled in its simple stupidity, or (again) a desperately flimsy Jon Favreau, who created something resembling a television production without a single ballbusting scene, in which several megastars have accidentally become involved. Although the introduction looks quite hopeful, the rest of the film is full of endless desperate awkwardness, which is ridiculous but in no way entertaining. I wonder what the crew spent the $160 million on. Probably fiery water and windy women. You can see it in Cowboys and Aliens - and this could and should have been really good. But the film would have had to be made by someone who at least has the general ability to drop genre clichés and not just mechanically imitate them (and badly!). ()

POMO 

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English An “amazing” idea that managed to spoil the fourth Indiana Jones in a few seconds, stretched out into two hours. Initially, it looks good: Daniel Craig’s tough cowboy is cool, the western setting turned out well, the first contact with extraterrestrials is magical, the humor spot on, the visual effects perfect, and the aliens look much more impressive than the mole-like thing from Super 8. Starting with the scene of crawling out of a fire, however, things go downhill, and the subsequent deluge of cliché-ridden fast-brewing relationships between the characters and illogical moments in the action scenes just seals the movie’s sad fate. The screenwriters seemed to think that the more they go wild, the more the audience would enjoy it… Cowboys and Indians from the American Prairies, unite in an idealistic world against the alien Nazis who think of you as insects and want to steal your gold! - Bullshit. ()

Isherwood 

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English I am afraid that the length and content of the script did not exceed the title of the film, which promised a great adventure, and in combination with the talented creative team, ideal popcorn entertainment. The first approximately 15 minutes are divine, Craig is the ultimate tough guy, the canvas shirts smell of sweat, and everyone is carrying their guns low. Then Ford enters the scene, showcasing the most ridiculous toughness in the history of the Wild West, and everything is crowned by an absolutely asexual outfit à la Olivia Wilde's nightgown. The plot takes place in a total of 3 larger locations (with the majority of them being the wasteland of New Mexico), a larger amount of ILM fantasizing, so you can also search for it under a microscope, which raises the question: where did the 163 million from the budget go? From the beginning of the second third, it's perpetually echoing boredom, which this commercial failure fully deserves. The worst blockbuster from approximately 2-3 years ago. ()

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