Lost in Munich

I have a mix of emotions regarding Petr Zelenka's distinctive films. Some of them have impressed me, while others have left me with an average impression. However, I have no problem admitting that Zelenka is one of the most interesting filmmakers that the lackluster Czech film scene currently possesses. I have never associated his name with any significant disappointment. Actually, I cannot speak of disappointment even now. Based on paradoxically enthusiastic responses, I didn't believe in the film, and my instinct did not let me down. Zelenka served me two films in one, but I don't get either of them and I conclude that they don't harmonize together at all. Although the author is inspired by the ideas of historian Jan Tesař, he interprets them in his own way. This time, Zelenka's mystification didn't entertain me; I felt a similar self-centeredness in it as I have perceived in the surrealistic performances of a certain Prague theater in the last two decades. Those people are also content with entertaining themselves and their fan club. Overall impression: 35%. (18/07/2017)

Petr Zelenka is very specific and a very good author. This isn't just playing with history; this is playing with film, playing with the audience who isn't sure what they're actually watching. And you won't experience this twist just once, but rather several times. Despite the form, the idea here doesn't get lost, which is very intriguing and one that I could easily believe in. And all of this with a peculiar sense of humor. (10/02/2017)

I feel sorry that I missed this movie when it was screening in cinemas. In Mladá Boleslav it was in cinemas maybe even less than one week and then they changed it either for some cartoon cash cow or another one of the endless line of American superhero movies… But a good Czech movie is hard to find in cinemas. And Lost in Munich is exactly that. Petr Zelenka took advantage of the audience and really toys with them from the start to the finish. What you watch as a film for an hour changed into a film about a film in the next hour. Plus you are following the connections and it all starts to make sense only toward the ending. And it is really funny and entertaining. And the cast is amazing as well – Martin Myšička, Tomáš Bambušek or Jana Plodková. And the fundamental premise of Munich and the brave proposition that the Munich Agreement actually helped us is all that is needed to make even a viewer with the knowledge of history excited. The absolute uniqueness of it all is not worth five stars but still it is one of the most interesting Czech films. (04/04/2016)

It’s truly incredible how Zelenka manages to adapt diverse narrative formulas in favour of a unified idea and an irresistibly satirical characterization of the unchanging Czech mood. The "film-within-a-film" technique allows him to poetically outline the intended plot motifs, which he then humorously develops in a frank, semi-documentary spirit in the fictional process of filming. What's amazing is the ease with which the fictional world mirrors the real one, with all the political, ethical, financial or deliberately absurd problems in the cycle of filmmaking, this time juxtaposed with smart historical satire and more or less obvious winks at the nature of Czechness. Fine actors, brilliant cinematography, great direction. Day for Night for Czech filmmakers. 85% (17/05/2016)

An extremely original film. Funny, playful, sophisticated, thought-provoking, perfectly filmed... Moreover, it will delight all die-hard admirers of Edvard Beneš, of which I am one. The less you know in advance about the plot of Lost in Munich, the better. The first twist is really SO unexpected that I would hate to be deprived of it beforehand. Petr Zelenka plays beautifully with the viewer, but his aim is not to mischievously trick him. No, on the contrary, he rewards the viewer with a pleasant feeling of "I thought there was something not quite... But I really wouldn't have thought of that, bravo!" In short, after some time, the Czech Republic has once again produced a film that I don't want and can't fault at all. (04/11/2015)