In the Shadow

Although Ondříček is once again working with his favorites Taclík and Trojan, his latest retro detective film does not remind us in the slightest of his older films. Which is a very good thing. Overall, the atmosphere, sets and costumes reflect the year 1953 very well. Moreover, the drama works and it is a pleasure to perceive the great acting performances of Jiří Štěpnička or Soňa Norisová next to the giant Sebastian Koch. (02/10/2012)

Very solid. The atmosphere is excellent, dark and depressing, and thanks to the perfect sets, the tense 50s are literally palpable in every shot. The story unfolds like many classic crime thrillers and can't really surprise with anything, but the execution is almost flawless, from the cinematography, the aforementioned "rainy" atmosphere, the continuity of the twists and turns to the excellent performances. Ivan Trojan excels, confirming his reputation as the best Czech actor of our time, and much of the film relies on his heartfelt performance. Something similar can be said of Sebastian Koch, whose Major Zenke may not talk much, but he has charisma to spare. It's not a five-star treat, the story is still very hackneyed and lacking in emotion, but it has at least significantly restored my pride in Czech cinema after a long time. 80% (21/12/2012)

I decided to go to the cinema to see In the Shadow because I believe such efforts at good filmmaking simply deserve my money. It surprised me that David Ondříček was able to make such a great film. The actors were amazing. I have to praise Sebastian Koch, who had the desire to star in a Czech film. He definitely succeeded. Still, I must not forget Ivan Trojan in the leading role, who was absolutely amazing. But the others were good as well. And even though they only appeared in the film for a few scenes, it was a pleasure to see them, whether it was Martin Myšička, Miroslav Krobot, Simona Babčáková or Jiří Štěpnička. As for the story, I admit that I was expecting a complicated riddle with an interesting ending. But the essence is far simpler than you would expect. Nevertheless, for the great atmosphere of the fifties, the landscape and the set designs, which I still don’t understand where the filmmakers found them, and especially how they managed to adapt them so well, but also for the great production... this film simply deserves the attention. (03/10/2012)

Three and a bit. As a detective or crime drama this was a very weak watch with the most obtuse plot and the shallowest characters possible. As a period film it was better, the atmosphere seemed believable and it was clear that the filmmakers had played around with it. However, the "message to mankind" and "honoring the memory of the brave" is similar to the crime storyline - poor (although the idea of making something "about that" is certainly commendable). Thanks for the excellent performances by Ivan Trojan and Sebastian Koch and the pleasant, almost noir cinematography, but no thanks for the rest and the overly long runtime. (07/09/2012)

A detective storyline lost under a layer of ideological cleansing, and it’s not even saved by the fact that the extras are familiar faces and that Ondříček sells it visually as a sovereign European film. The cool façade is more likely to bear a jolly contemporary comedy than a period reckoning with a dark chapter of national history. A missed opportunity whose superficial glitz was only cemented by the movie award. (28/06/2013)