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Intense psychological thriller about a man who experiences the frighteningly common surgical phenomenon 'anesthetic awareness'. Those suffering from this condition remain acutely aware of what is going on around them despite remaining completely paralysed and unable to cry out for help. When Clay (Hayden Christensen), a successful young man goes under the knife, the horror quickly sets in as he discovers that he is being murdered whilst on the operating table. The terrifying drama unfolds as his wife (Jessica Alba) waits anxiously by. (Icon Film Distribution)

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Reviews (7)

Malarkey 

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English I have read a few comments here and they all mostly agree on the fact that the topic of the movie was not bad at all. If only it was made by someone with little more experience who can turn a good topic into a great thriller. The acting was ok but I kind of missed a bit more of the drama. The end is way over the top, but the story was made to shock and it actually succeeded in doing so. Although I still can’t shake off the feeling that this was just an average job. ()

Pethushka 

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English A huge surprise that I'll probably be chewing on for a while. I love it when a movie gets me like this and then I have to show it to everyone around me. This will be one of those that everyone around me will have to watch with me. What I like about the movie are the few unexpected twists and the constant intrigue. At the end I would have liked some kind of encounter between Clayton and the traitors. Jessica Alba's performance is good, Hayden Christensen surprisingly even better. A nice thriller. 4.6 stars. ()

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Othello 

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English If we were to operate on the basis of FilmBooster genre labels, this movie would be more of a romance/drama/mystery/thriller. Whereas for the first half hour it sticks only to the first two boxes. Then comes mystery, and not long after that we have thriller. This development is Awake's greatest domain, because thanks to it we find ourselves several times running out of ideas on how the plot could continue and taking it practically from scratch. Personally, I was very pleasantly surprised by the two plot shifts, to the point where I almost forgot who was playing the main role, a fact that had worried me quite a bit at the beginning of the film. High praise indeed for the script. ()

J*A*S*M 

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English A good premise buried by a run-of-the-mill directorial approach and a shabby script that delivers every twist a moment after it can be predicted. The way it squanders its potential pissed me off, really. And on top of that, and let’s be honest, the actors aren’t that great, so, instead of living characters, you only get chess pieces that the screenwriter moves according to a previously drawn plan (which, as I’ve already mentioned, is not that hard to predict). As a result, Awake is a modern sterile thriller without a hint of atmosphere that at times shows great potential. The creativity began and ended on one point: the initial premise. Had it been longer, the rating would be lower. ()

POMO 

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English After Derailed, this is another clever premise botched by a not so clever director. Weinsteins once again tried to skimp on the director and thought that in order to have a big hit, they just needed an interesting screenplay and good cast. And once again they ended up with something between a box office bomb and a direct-to-DVD release. Awake has a unique atmosphere, which is nice, and we have seen Hayden Christensen in worse roles, but the “dramatic twists” that are supposed to turn the plot upside down are just as awkward as in Derailed, and what’s worse, they are sometimes predictable. The fewer dime-a-dozen American thrillers you’ve seen and the more beer you drink before watching Awake, the fewer problems you will have with that. ()

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