Maleficent

A very atypical 180 million-dollar budget affair that is shorter and more concise than it may seem at first glance. It is surprising how Robert Stromberg builds it from scratch, going straight to the point, without beating around the bush and letting Angelina Jolie fool around with horns and mischievously giggle to add to it all. Unfortunately, the story suffers quite a bit, so if you manage to catch onto the hackneyed plot and see it through the barrage of visual effects and camera flyovers and zooms like in Avatar, you will see that it is very generic and visually polished – maybe even excessively so. Some of the visual effects are aweful, and there’s also the madman Sharlto Copley. (21/02/2015)

I’ve been looking forward to Maleficent for a long time. Even my girlfriend told me that she would love to see it at the cinema. That was a proof to me that we simply have to go see it and so we did. The result turned out very well. Although it is a digital parade, everything is so honest and beautiful that it can be easily forgiven. Angelina Jolie couldn’t be better. Her character has wonderful mood swings and I enjoyed her feelings like never before. But I also enjoyed the locations to which the Americans put great care. It is an absolutely amazing fantasy world, where it is immediately clear who belongs to whom and what the map of it would probably look like if you decided to draw it. This movie is just like that. It seeks strength in simplicity and I simply enjoyed it. I wouldn’t be angry at all if there were more such fairytales. (11/06/2014)

Maleficent gave me almost everything I once expected from Snow White with Julia Roberts as the evil queen. A notorious story imaginatively turned on its head, a magical world where the fairytale meets the darker fantasy stuff, as well as an amazing main character on whom everything is of course based. Angelina Jolie is great in the lead role. She is very pretty, she has no problem expressing any emotion, and every smile (there are not many, but they are there) is literally magical. Moreover, the film boasts a beautiful production design, as the rookie director obviously had a lot of visual ideas and James Newton Howard again pulled successful theme music out of his sleeve, the special effects are just right and the flashy digital ones are only occasionally there. The only thing that bothered me was probably the trio of fairy godmothers, especially since they stopped being digital, while the much talked about useless prince is a pretty good joke considering the original fairy tale (where he also does almost nothing because the fairies do most of the work for him). (25/10/2014)

I was expecting a good fairytale, but this exceeded my expectations. It is a beautiful story that truly is a fairytale, but there are dark passages, and at times it is quite rough, but it is connected with humor, sensitivity, and also with excellent Angelina Jolie. The only thing that ruined the impression for me were the people in the cinema who needed to express too loudly how much they see in the story and how much they understand it. And no, I'm not talking about children, but about adults. The visual aspect is absolutely captivating, the creators really did a great job. Those monsters are divine. (03/07/2014)

I'm still not riding the new wave of fairy tales with new shifted meanings, but if some of the others are at least as polished as Maleficent, I see great promise. I still don't even watch the Once Upon a Time series, but holy cow, this was delicious! I'm also not a fan of Angelina or the original Disney film. In short, when things go well, they go well. Even Lana's title song is divine here, as well as all the subtle humor combined with the epic. (29/08/2014)