The Thing

They’re not who they are... Thanks to the tense atmosphere and awesome psychological aspect, this is on its way to being perfect. But unfortunately Carpenter pulls the “monsters" out of his sleeve too early. I would have preferred just a sense of unseen evil, especially when the monsters turn out to be unfrightening stuffed toys. The scenes that get by without them and rely purely on atmosphere and actors (or dogs) get full marks. If it had lasted out longer without those DNA blood clots, then... But enough ifs (but if somebody were interested how awesome it could have been, take a look at an episode from season one of The X-Files titled Ice which pays tribute to The Thing). But I still, I’d really like to see a prequel of this, showing the events at the Norwegian base. So, just watch this movie, it’s the right Thing to do… (10/04/2005)

A horrifying parade of disgusting special effects with bodies disintegrating and mutating into hideous slimy creatures, the human head with spider legs is very cool. The chilling atmosphere of hopelessness and isolation perfectly underscores everything. We can only thank Carpenter for his bold directorial concept and the distribution company for having the courage to put this into wide distribution in its time. (07/07/2002)

The story is about a group of American scientists at a research station in Antarctica fighting against an extraterrestrial creature that can take human form. The film’s biggest strength is its superb atmosphere, which relies on the ubiquitous tension and mistrust among the main characters, and it’s amplified by the endless ice plains. But the “beautiful” creature effects are not very far behind and even the orthodox fans of bloody horror will get their fill. The Thing is hands down one of John Carpenter’s best films. (30/08/2007)

The Thing is one of the best representatives of the horror genre in the cinema of the last century. It's a delectable line-up of dishes where you can find a thrilling Morricone score on the menu, the ultimate in great production design, solid direction and pretty decent special effects. The film's atmosphere gradually thickens and some of the crew are not who they seem to be. The question of who is coming out of it alive arises, and not everyone is destined to survive when the carnage begins in the middle of the polar wasteland. In short, a cult classic that certainly deserves the attention of audiences because it is timeless and appealing in so many ways. (09/07/2011)

Perhaps I’m overly sensitive to the genetic transformations of people in movies, but the first time I saw The Thing, when I was an eighth grader at elementary school, I couldn’t sleep all night and was sweating like I had a fever. It was a terrifying experience. I vowed to never watch another horror movie. However, that intense experience was also the reason that horror later became my favorite genre. The Thing has a unique atmosphere of isolation and despair, which is perfectly supported by Morricone’s gloomy music, timeless special effects and a wonderfully dark, pessimistic ending. It’s a precisely paced horror movie that gradually tightens the noose around your neck and it’s an existential downer almost from the start to finish, with some of the most terrifying horror scenes ever. (05/06/2002)