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John Carpenter visionary director of cult classics Escape from New York and The Thing presents a startling sci-fi dystopia - a world where They influence our decisions without us knowing, They numb our senses without us feeling it, They control our lives without us realising it - a world where They Live! It is a weary existence for John Nada (Roddy Piper) living in the slums and labouring to get by. Befriended by co-worker Frank (Keith David), their lives are measured by frustration and despair set against the desperation of an economic downturn. When John discovers a unique pair of sunglasses that allow him to see the truth, he realises aliens have not only infiltrated society but are hell-bent on taking over the entire world. With an underground movement in place, it's time for Nada to muscle up end make a stand against the alien foes and fight the subliminal machinations of the status quo before it's too late. (Umbrella Entertainment)

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Othello 

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English The degeneration of contemporary pop culture, which shows us stories of how a humble peasant came upon a great truth and then cleverly defeated it on his own terms, we can feel that They Live is actually a typical victim of 80s primitivism, where the truth is ideally reached with a fist, an elbow, or straight up with a shotgun. At least Carpenter does not mask in any way that the solution to the problem was basically reached by a muscular teenager who doesn't read Nietzsche in the evening, but rather Hustler and Guns & Ammo. The means by which he then seeks satisfaction simply correspond to this. And besides, Carpenter was very good at macho shoot-’em-ups and beat-’em-ups in the eighties, so it's a joy to watch. ()

J*A*S*M 

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English The worst Carpenter I’ve seen so far, and that also includes Ghost of Mars. Unfortunately, I didn’t look at the genre category and I expected horror and what I got instead was a silly, satirical and almost self-parody of science fiction that becomes increasingly boring with every passing minute. Unfortunately, I can’t even highlight the music, because unlike other Carpenter films, this time it really got on my nerves. ()

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