Coraline

Selick’s Caroline, sorry, Coraline lacks one thing. And that is the “button phobia" which, unlike in the book, never sets in. Maybe it’s because I don’t share Selick’s vision as a whole. It’s not nearly dark enough. There’s nobody quite like Dave McKean. This Coraline is an excellent animated movie, but nothing more. But the potential for more was here. (15/06/2009)

This is an animation that you just don't see very often anymore. I'm especially glad that Henry Selick chose this particular book by Neil Gaiman to adapt into a stop-motion animated puppet film. Coraline looks amazing in this animation and I'm glad that there are still people who appreciate and put effort into stop motion animation. The result is definitely worth it. Additionally, the horror-themed animation is even better. And this fairytale has a strong horror element. (24/12/2013)

One of the most interesting animated films of recent times, which is mainly based on the quality book by Neil Gaiman, currently one of the most interesting creators of alternative worlds. Coraline can satisfy both children, except perhaps the smallest ones, as it contains dark motifs and scary scenes, as well as adults, as it has a very clever story with interesting characters and a significant message, it is filmed dynamically, with a sense for visual art, and it almost deserves five stars. Paradoxically, in my eyes, it is harmed by what current animated blockbuster productions are based on, i.e., typical computer graphics, which makes it lack a certain exclusivity characteristic of classic drawing and animation. Overall impression: 85%. (30/04/2010)

I was a bit worried when the film was slower to start and visibly tried to engage my imagination and some of my patience with its story, but after a few minutes the doubts were successfully erased and I became increasingly satisfied with the final form. Sure, it's no Miyazaki, it lacks Danny Elfman's catchy compositions and the story doesn't sound particularly likeable, but there's still the charm, the imaginative idea and the very original execution, which is always the most important thing in animation. The Oscar nomination, in my opinion, is well deserved and pretty much says it all. (16/10/2012)

The film features an Alice theme, a script for a short at most, and Selick's eccentric fantasizing. After half an hour it simply doesn't do anything and comes ever closer to the desperate cry "Let something start happening, for God's sake!" Ironically, what I enjoyed the most was Dakota, who intones perfectly and literally "acts" in the vocal positions of a nasty brat, a scared little girl, and a brave girl. The rest of it was terrible and didn't even need the assistance of Tim Burton. (31/12/2009)