Coraline

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A young girl walks through a secret door in her new home and discovers an alternate version of her life. On the surface, this parallel reality is eerily similar to her real life - only much better. But when her adventure turns dangerous, and her counterfeit parents (including Other Mother) try to keep her forever, Coraline must count on her resourcefulness, determination, and bravery to get back home - and save her family. (Universal Sony Pictures Home Entertainment)

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kaylin 

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English This is an animation that you just don't see very often anymore. I'm especially glad that Henry Selick chose this particular book by Neil Gaiman to adapt into a stop-motion animated puppet film. Coraline looks amazing in this animation and I'm glad that there are still people who appreciate and put effort into stop motion animation. The result is definitely worth it. Additionally, the horror-themed animation is even better. And this fairytale has a strong horror element. ()

lamps 

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English I was a bit worried when the film was slower to start and visibly tried to engage my imagination and some of my patience with its story, but after a few minutes the doubts were successfully erased and I became increasingly satisfied with the final form. Sure, it's no Miyazaki, it lacks Danny Elfman's catchy compositions and the story doesn't sound particularly likeable, but there's still the charm, the imaginative idea and the very original execution, which is always the most important thing in animation. The Oscar nomination, in my opinion, is well deserved and pretty much says it all. ()

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DaViD´82 

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English Selick’s Caroline, sorry, Coraline lacks one thing. And that is the “button phobia" which, unlike in the book, never sets in. Maybe it’s because I don’t share Selick’s vision as a whole. It’s not nearly dark enough. There’s nobody quite like Dave McKean. This Coraline is an excellent animated movie, but nothing more. But the potential for more was here. ()

NinadeL 

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English I made myself watch it and I feel like it's matured a little bit. I don't always let Gaiman get to me. There's still the contrast between genuine horror and pleasingly button-grotesqueness, but it's still great regardless. The stop-motion animation is also incredibly rich and imaginative. So why not? ()

D.Moore 

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English If you compare Selick's Coraline and Burton's Alice in Wonderland, the winner is clear. The fantastic stop-motion animated Coraline wins. The film is visually almost unbeatable, it offers ten ideas for every minute, the few songs that are played are pleasantly crazy, the music is good, the characters are humorously bizarre... The problem is in the story, which is not uninteresting, but it gets boring at times, especially in the second half. But what the hell, I tell myself, it's a fairy tale. And a good one. Too bad it's not as adult as The Nightmare before Christmas... ()

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