3DD!3

A well-cast thriller with a strong and surprising story. Mel Gibson is as great in the role of a dejected father as Gary Sinise is as a dangerously clever kidnapper. Unfortunately, it seemed to me that Ron Howard somehow couldn't handle the plot. In places it was as if the movie found it hard to hold itself together. Perhaps I am too demanding but nevertheless it’s a very good watch.

This is exactly the kind of movie I like. It pits laws and people who must abide by them against each other. It throws them into unimaginable, yet very real situations where you don't want to believe that something like this could happen. Al Pacino is amazing in the role of perhaps the only fair lawyer in existence, who is forced to be part of the whole machine. His presentation of the closing argument is an indelible experience and a definite highlight of the movie.

Historians must roll their eyes out watching this, because it’s really something. Emmerich is simply the wrong director for a this type of movie. He has no army, no army to destroy big cities. Plus the story is too simple and badly rendered mammoths, ostriches and tigers just can’t make up for that. The only thing he did right was to cast Camilla Belle. 50%

A very energetically filmed thriller where you feel like you’re assembling a jigsaw without the picture on the box. It’s full of surprises. Telling the same story from various points of view is not at all stereotypical and the mode of storytelling often reminds one of Kiefer’s Twenty-four and the Bourne movies will definitely spring to mind during the closing car chase. The actors (perhaps with the exception of the weird-acting Forest Whitaker) give very decent performances. You find yourself crossing fingers for Dennis Quaid right from the beginning and that Matthew Fox is very surprising again. I had a great time. 80%

NeverEnding Story with Chinese motifs. If it weren’t for Jet Li or Jackie Chan, I doubt the producers would have ever approved a screenplay like this. All possible clichés fill out the “journeying" breaks between fights which, luckily (thanks to Yuen Woo-Ping), are really good. Perhaps the next collaboration between Jet and Jackie will (allegedly for China) turn out better. This is just slightly above average.

The audiovisual side of the movie is simply unbelievable. Painstaking racing scenes interspersed with a conflict between a family firm and a megalomaniac corporation represented by the slippery Roger Allam. Emile Hirsch gave a great performance in the role of Speed and I was equally surprised by Matthew Fox as the mysterious Racer X. Playful, sweet and funny (unfortunately sometimes too much so). Great for kids, remarkably digestible for adults.

Indy at the movie theater is an unforgettable experience. I readily admit immediately and without torture that I didn’t like a lot of things about The Kingdom of the Crystal Skull (I think the Tarzan-like Shia and the monkeys bothered me the most), but Spielberg is simply too good a director to spoil the return of the legend. The 50s stylization absorbed me totally without problem and I was expecting to see the Indy senior, so there was no reason to be disappointed. Plus, Shia LaBeouf brings a breath of fresh air into the Jones universe and his character easily won me over. And the spectacular finale in the room with..., you know what I mean, really got to me. The fourth Indiana Jones is no better or worse than the original trilogy, it’s just a lot different. A slightly low 5.

Robert Downey Jr. is a dude. Robert Downey Jr. is Tony Stark. I couldn’t imagine anybody else in this role. His charisma and wisecracks give the picture style and, without him, Iron Man would be half-assed and definitely a lot less entertaining. Favreau takes the entire movie in the right direction (no wonder, because it was him who got Downey involved in the project), not so serious, slightly fateful and also true to the comic book. The action scenes from ILM also worked really well, even though the battle sequence was Stark’s escape from captivity, which involved a minimum of special effects. Personally, for me Iron Man has greater magic than my former favorite Spider-Man, and that’s saying something. P.S.: The post-credits scene with the allusion to the Avengers is magical.

I didn’t get to see the end of this (I hope it all worked out ok). The bus arrived at its destination and I had to get off. Paul Bettany’s acting was a little weird and Harrison Ford wasn’t especially impressive (and he looks dumb with that laptop). Otherwise, this is a pretty standard thriller.

At the beginning it drags on slowly and the only thing that looked any good is the surrounding jungle and Bruce Willis in camouflage kit holding a machine gun. The African jungle seemed to be asleep all the time. Where are the snakes, the spiders and other critters that could make this group’s journey a little more unpleasant? Take a look at Rescue Dawn and you’ll see what I mean. It’s all so artificial. Tears of the Sun tries to touch us with humanity and good deeds by hard guys who until now behaved like robots. And the only thing that Fuqua gave to this movie are lens filters, amazing views of African nature and a solid action ending which digs this picture up from the gray average. 3