NinadeL

This was an excellent surprise. It was one of the few films I went in blind to the movie theater and I am still excited about it to this day. Kirsten Dunst is rightly a celebrated actress of her generation. She can do absolutely everything. :)

So many variations in one film on the "immortal" couple of Loren and Mastroianni is simply too much for me. At least I saw the film accompanied by people who didn't believe until the last moment that Sophia as Mara was a prostitute, which was charming.

The story of the young marriage of Renzo e Luciana is bad and, moreover, only clumsily copied from the Weimar film I by Day, You by Night (1932). The story with Romy Schneider Il lavoro, inspired by Guy de Maupassant ("Au bord du lit", 1883) is forever in vain, even though she was dressed by Coco Chanel. The others are not even worth commenting on.

The film features the Swede Ingrid Bergman, Englishmen Claude Rains and Sydney Greenstreet, Germans Conrad Veidt, Peter Lorre and Hans Heinrich von Twardowski, Italian Paul Henreid (playing a Czechoslovakian with a Hungarian name), Madeleine Lebeau and Marcel Dalio from France... and many others under the direction of Hungarian director Manó Kertész Kaminer. What could be a more Hollywood classic? It’s a paper-rustling romance that, due to fate, became something much more. Perhaps it is because of the paradox of the way in which the exiles mixed themselves into the story of exile.

Nicole Kidman and Daniel Craig are certainly not the ideal dream couple, although two attempts were made. Besides, it's a shame to cast Kidman in action movies. But in terms of being average, The Invasion can be tolerated. It's nothing we haven't seen many times before, but why bother despising a relaxing genre? There's going to be another version of this so enough anyway.

It's so stupid it hurts. It definitely must have hurt in the movie theater. And yet the subject matter is decent. Oh, I get it. This is the toll of the idiotic romantic comedy that Nicole had to pay to maintain her popularity on all fronts...

A musical fairy tale about paying homage to the film century. The experience is, of course, deeper if one consciously perceives all the sources of inspiration. Viewers who only suspect something will only grope on the surface. The film features everything from de Toulouse-Lautrec, Méliès, Violetta, Monroe, Madonna, and Queen. Thank you, absinthe fairy.

I used to love it back in the day, but then I traded it in for Little Women. It was a big mistake that Kirsten Dunst didn't play the youngest Dashwood - now that would have been a different story.

I only discovered the Ally McBeal series once upon a time because of Courtney Thorne-Smith's departure from Melrose Place. Over time, it has found a permanent place in my heart and is one of those that I regularly dust off.

It's a pity that the selective release of episodes 6, 8, 10, 11, 12, 13, 15, 16, 17, 18, 20, and 22 on VHS caused such confusion in the numbering... Fortunately today, though, 1999 is surpassed and along with the three DVD sets from 2008, we’ve got Indy in the best quality. There will probably never be a return to the old Indy narrative, but what do I know? ;)