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Gloria Swanson as Norma Desmond, an aging silent film queen, and William Holden as the struggling writer who is held in thrall by her madness, created two of the screen's most memorable characters in Sunsent Boulevard. Winner of three Academy Awards, director Billy Wilder's orchestration of the bizarre tale is a true cinematic classic. From the unforgettable opening sequence through the inevitable unfolding of tragic destiny, the film is the definitive statement on the dark and desparate side of Hollywood. (Paramount Pictures AU)

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NinadeL 

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English Sunset Blvd. is one of those films that I have to constantly re-evaluate within myself because too many people try to reinterpret it and rape its premise. I'd recommend more study of Gloria Swanson's career, as without her you have no chance to grasp this Wilder pun, even if you may struggle to endlessly analyze the narrative to your own taste. ()

Remedy 

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English The cool thing about this noir gem, aside from its impressive ode to classic Hollywood, is that it manages with equal brilliance to hold up a mirror to the entire tinsel colossus. Its non-trivial approach results, among other things, in the fact that Sunset Boulevard still has an absolutely timeless effect to this day and rightfully ranks among the absolute top of the film noir genre. [90%] ()

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D.Moore 

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English It occurs to me that it's not exactly flattery when (for example) Hollywood is referred to as the Dream Factory. If it makes the audience dream, that's good. But when the stars HAVE to dream because of it, it's worse. Sunset Boulevard captures all this transience very convincingly, mercilessly passes it on and still has something to say. Buster Keaton's role (he said one word, but twice!) delighted me, and Gloria Swanson, William Holden and Erich von Stroheim thrilled me. ()

Isherwood 

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English Any attempt to set standards for the quality of the screenplay or directorial creativity is inappropriate in the case of this film. Sunset Blvd. must not be perceived with your brain, but rather your heart. The dense veil of fog, impenetrable to the eyes of an ordinary mortal, was torn to pieces by Billy Wilder within a hundred minutes, revealing the naked face of Hollywood glamour personified by an aging actress who, despite having surpassed her own prime by thirty years, continues to build her own dreams. Her lifestyle level, depicted by the kitschy house from the early architectural modernism of the 1920s, intersects with the simplicity of a prototypically unsuccessful screenwriter, of whom there were plenty even during the director's times. His final work thus resembles a masterfully composed image of a social-artistic-generational confrontation, from which no one can emerge as victorious majestically achieving their goal, strongly supported by brilliantly performed acting. It is a unique artistic experience that occasionally (un)pleasantly sends shivers down the spine and a perfect demonstration of how much "beauty" a genre like dark noir can hide within itself. ()

kaylin 

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English Another one of those movies that you hear about how great they are, how significant they are, and then you see them and realize that it's all really true. An amazing picture of Hollywood in its time. A tribute to the legends of the silent era, as well as a demonstration of how show business actually works. It's smart, it's very cynical, and it's truly breathtaking. A glimpse of Buster Keaton warms the heart. ()

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