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Oscar-nominated tale of a group of young drug addicts scoring and scamming their way through the hyper-kinetic world of drugs, sex, and rock and roll of 90's blue-collar Edinburgh. Starring Ewan McGregor in an unforgettable breakthrough performance, Trainspotting electrifies with its hilariously dark humor, stunning visuals and sharp honest take on both the exhilarating highs, and the terrifying lows, of addiction. (Universal Sony Pictures Home Entertainment)

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lamps 

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English Can a film that is repulsive also be beautiful? Trainspotting tells the story of human scum in such a humorous and unusual way that we end up feeling comfortable with the characters and able to tune into their addictive wave to some extent. The distinctive visuals have the most momentum and verve in the first half hour, and by the end Boyle starts to repeat himself, but the music is so perfect, the characters so original, and the scenes so iconic and entertaining (not only in execution, but also in content) that it can be watched over and over again. And Ewan McGregor is the best junkie in history. ()

DaViD´82 

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English So, let’s go over this again: Drugs are great, aren’t they... Danny Boyle is an excellent director, isn’t he... Ewan McGregor has now left the category of hopeful young actor and definitely moved into the category of “Mr Actor", hasn’t he... The Scots are cool, aren’t they... Born Slippy, isn’t it... Trainspotting is a cult movie. Is that clear? YES! ♫ OST score: 4/5 ()

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J*A*S*M 

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English There were several scenes that made my jaw drop in amazement at their genius (Perfect Day), unfortunately, though, I felt the film kind of fizzles out. The second half is no longer that great and the ending is actually weak. Whereas Requiem for a Dream managed to truly knock me down, Trainspotting only left me with the question “Hmm, nice, but that’s it?”. ()

Remedy 

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English I was quite curious about the resulting comparison with Aronofsky's brilliant Requiem for a Dream. Trainspotting is actually quite funny in places; on the other hand, the comedic element is counterbalanced by some really quite harsh moments. It's probably an undeniable truth that Boyle's work is more valuable in terms of "existential depth" and has a more elaborate script, but it's equally undeniable that Aronofsky is clearly the leader in terms of visuals. Even though I consider Trainspotting Boyle's best film (the hell with Slumdog Millionaire), I can't help feeling that Aronofsky's Requiem for a Dream affected me many times more... UPDATE 02 Jun 2018 – Seen again after years, for the first time in proper quality on Blu-ray, and I must gladly add that fifth star. Trainspotting is a cult movie like crazy that Danny Boyle directed the hell out of. I love how it's just so funny to the point where I had to laugh out loud (the scene at breakfast with the tug-of-war over the sheets) and at the same time manages to evoke very uncomfortable feelings (the baby in the crib). And probably the vast majority will disagree with me, but I consider Trainspotting more of a comedy. A satirical, bitter, and veeeeery harsh comedy :) ()

D.Moore 

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English Three... And if it weren't for Ewan McGregor and Robert Carlyle, I'd take one more star off. I put off Trainspotting for a long time and I probably knew why. I've hadn’t seen it up to now and I haven't missed anything extravagant. I can listen to the soundtrack (or rather the few tolerable songs) on its own, and the story about a bunch of junkies, whose stories and catchphrases seem funny and wacky to many of my friends (similarly to the Czech Loners), but to me they just seem stupid. Shallow Grave goes unsurpassed. ()

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