28 Days Later

Raw British horror that replaces slow zombies with fast infected people, influencing this horror subgenre for many years to come. The casting of Cillian Murphy in the main role was an interesting move, his face has both boyish and girlish features and his transformation from “someone who’s being dragged on” into “the one that saves everybody” was also interesting. Great. (18/11/2007)

Woah. This the first time I've had to write the same review a second time. Server crashes are almost unheard of here at FilmBooster (I had to complain somewhere :-). The most impressive scene of the picture 28 Days Later is undoubtedly Cillian Murphy's pilgrimage through depopulated London, which is basically the second scene in the movie. After that, it's a post-apocalyptic movie about survival and human relations, crossed with a not-so-normal zombie horror movie. The flimsy screenplay is a bit of a problem (it can't decide what type of movie it wants to be), but Danny Boyle saves it with visual touches (once even with an oil painting) and unconventional camerawork. (24/08/2007)

The film that discovered Cillian Murphy, an actor with an exceptional voice, charisma to spare, and who has masterfully played often alternative characters in films of various genres, for example, 28 Days Later, a pared-down, raw piece in an incredibly grainy and authentic execution that appeals only to a select few connoisseurs. (08/02/2014)

I liked it very much, but I can't help feeling that a good chunk of the film ended up in the editing room because the transition between the two parts (the road movie part and the military part) felt a bit rushed. Otherwise, I have nothing to complain about. It was clear to me that this horror film directed by Danny Boyle was not going to be an ordinary horror film... And it's not. Luckily. Many times I was amazed at the carefree atmosphere it exudes, which was certainly due to the soundtrack. The jump scares worked, the infected flesh-eating sprinters were suitably scary... And the over-the-top, nerve-wracking, breathless finale was great too. (25/08/2012)

A well-written reproduction of the subject of Romero’s mediocre Day of the Dead, spoiled by unsuitable visuals and music. I want a big-budget, celluloid remake by Guillermo del Toro with music by Marco Beltrami! (26/05/2003)