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Jules Winnfield (Samuel L. Jackson) and Vincent Vega (John Travolta) are two hit men who are out to retrieve a suitcase stolen from their employer, mob boss Marsellus Wallace (Ving Rhames). Wallace has also asked Vincent to take his wife Mia (Uma Thurman) out a few days later when Wallace himself will be out of town. Butch Coolidge (Bruce Willis) is an aging boxer who is paid by Wallace to lose his fight. (Universal Sony Pictures Home Entertainment)

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Reviews (12)

Necrotongue 

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English As far as I remember, Pulp Fiction was the first Tarantino film I ever saw, and it was love at first sight. An excellent film with an incredible number of great lines, a perfect cast, and an amazing plot. It's simply a film that grabs my attention right from the opening scene and doesn’t let go until the closing credits. Even now that I know exactly what's going to happen and when, and how it’s all going to end. A real treat! ()

Detektiv-2 

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English This movie was mind-boggling. I really don’t know what to make of it. The most accurate words to describe my emotions about the movie are "a boring watch". I’m sorry, but I really don’t know why everybody enthuses so much about this. About this really regular but overrated movie. The movie stands on rather uninspiring stories with a touch of brutality and a couple of gritty (and sometimes cringe-worthy) one-liners. I was unable to find any magic in this movie, and I doubt there is any. A massive disappointment and purely objective score of a mediocre 3*. ()

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Marigold 

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English A handsome and sexy definition of pulp poetics that said everything it had to say, and also everything it could say. All plagiarism is just a useless repetition of the same thing - this is literally a biblically bloated folio. It was definitely Tarantino who popularized the atypical narrative form and brought into play all the declining pop-cultural emblems and mechanisms that until then had somehow remained on the fringes of generally accepted culture. The only flaw in the beauty of the Pulp Fiction poetics is that they go completely beyond me. But definitely Tarantino's best film. ()

Lima 

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English I first saw it in the cinema at the Czech premiere, when nobody had heard of Pulp Fiction and the name Tarantino was unknown. My friend and I walked out of the cinema and I was overjoyed to have seen something original again after a long time. My friend looked puzzled and told me he had to let it soak in overnight, he didn't know what to do. The next morning he came running to my room (in the college dorm) and excitedly announced: "Dude, it's been going through my head. It was awesome!” He ran to everyone he knew and recommended it to them and went back every day for the rest of the week with an ever growing crowd of curious people. They wrote lines from the film on pieces of paper and taped them to their walls – maybe that’s also how a cult classic is born. I really don’t know why I’m writing this, but Pulp Fiction is in my TOP 10 and I felt an almost moral obligation to say something without being repetitive. This film is like a refreshing spring in the middle of a desert of uniformity and deserves only words of praise. ()

lamps 

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English The magic of Pulp Fiction doesn't fully hit you until you've watched it for the tenth or eleventh time and realise that you still can't get enough; whether it's the incredibly witty dialogue, the framed narrative, the performances, the pop culture nods, or simply the execution of each scene with a perfect sense of visual punctuation and musical underscoring. One iconic shot after another, the camera breaks down the space with the ingenuity of Thomas Edison, the absurd game with the motif of "twisted" coincidence is turned into an amazingly coherent experience and it makes you wish it lasted twenty or forty minutes longer. While from the most from the holy year 1994 I prefer the humane Shawshank, the clear winner in the field of cinephile delight is this Tarantino treasure. ()

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