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Dr. Ian Malcolm (Jeff Goldblum) returns for more dino-horror when, four years after the disaster at the would-be amusement park, another expedition is mounted by millionaire John Hammond (Richard Attenborough). To document the natural behavior of the beasts at a mysterious Site B, Hammond sends a team comprising Malcolm; Malcolm's girlfriend, paleontologist Dr. Sarah Harding (Julianne Moore); and a wildlife videographer (Vince Vaughn). They face adversity in the form of a less-than-scrupulous big-game hunter (Pete Postlethwaite) and, of course, the terrible lizards themselves. (official distributor synopsis)

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Reviews (9)

kaylin 

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English In "Jurassic Park," there are things that bother me, but I overlook them because the film is visually stunning. In "The Lost World," there are so many mistakes, plot holes, logical absurdities, and scenes just for the sake of effects that they cannot be overlooked anymore. It's a bad story with a crazy ending that should be cut out entirely. The film should be an hour and a half, end on the island, and that would be enough. This wannabe King Kong ending is a flop. ()

Kaka 

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English Unfortunately, it is nowhere near as harmonious, likeable, and pleasantly adventurous as the first film. Technically, it’s flawless, but that's not enough. Spielberg seems to be floundering and doesn't know where to go, which is a rather shameful deficiency for a director of his caliber. There is an abundance of clichés, and to make matters worse, we have another downpour in key scenes, as if by coincidence. Jeff Goldblum is a fine and sober hero, with a few original lines, but undoubtedly the second greatest beast is the amazing Pete Postlethwaite. There is humour at every turn and sometimes it seems a bit inconsistent in relation to the action on the screen, which the filmmakers obviously didn't worry too much about. Spielberg's most lucrative film, impressive pretty much only thanks to its technical flair and bombast. Unfortunately, these two attributes are so abundant that I cannot rate it higher than 4*. ()

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Othello 

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English A blockbuster attraction, where digital effects were meant to play the main role, a breathtaking one at that. However, it was films like this one or Emmerich's Godzilla that made some people squirm and wonder if filmmaking might not also be about adapting to some limits. With them, the crew has to work with some pacing, shooting angles, editing; in short, things that are supposed to convince the viewer that the man in the piece of rubber is supposed to arouse some kind of experience in them. With CGI that can depict everything, you just, uh... depict everything. A tyrannosaurus eats a car on a street full of people? Here you go. A tanker has to drive full speed into a harbor? Here you go, head-on frontal view. Schwarzenegger playing King Lear? No problem. All straight-faced, no hiding, and you kind of watch it and wonder if they were truly serious when they made Jeff Goldblum the main character and gave him a daughter whose only active role in the film is to swing from a pole. ()

novoten 

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English The original Jurassic Park has matured into an absolute classic and even the sequel that I originally hated eventually blossomed into a tolerable adventure. Although I still dislike all the selfish-military actions and the final party with Godzilla bothers me greatly, the pleasant, nature-loving message stands out even more. I have finally made peace with The Lost World, but I could easily do without its existence. ()

D.Moore 

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English Sure, the magic of the first Jurassic Park is missing here, but it's important to remember that this is a completely different film. Thriller-ish, darker, blacker, even slightly self-parodic towards the end. But all the time it's a typically playful Spielberg movie, which I finish watching every time, wherever and whenever I see it. ()

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