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Paleontologist Alan Grant and his paleobotanist girlfriend, Ellie Sattler, give lectures on dinosaur history between digs at remote exotic locales. One dusty afternoon, John Hammond, a millionaire inspired by scientific wonders, makes an offer to the erudite couple that they can't refuse: He asks them to act as consultants on his entrepreneurial endeavor--an amusement park with live dinosaurs as the main attraction. On an island off the coast of Costa Rica, Hammond's already biologically engineering living dinosaurs by extracting and reconstructing dino-DNA from fossilized insects. But bedlam ensues when Wayne, a computer genius, tampers with Jurassic Park's security system so that he can smuggle out a bunch of frozen embryos. The prehistoric creatures break loose around feeding time and the millionaire, the scientists, the park employees, and two children become fair game. (official distributor synopsis)

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Reviews (14)

novoten 

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English The older I get, the more Jurassic Park matures from an adventurous attraction for the whole family into an honorable classic that may never age. The first brachiosaurus, the first T-Rex roar, the first electric shock. And the first film where I can't say a word about the tricks when looking at the dinosaurs. The fact that this relentless ride comes from Steven Spielberg's workshop is a point in itself. ()

Kaka 

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English A fantastic blend of adventure, excellent popcorn action, and likeable main characters. Spielberg knows how to entertain people and he proves it to the dot here. The commercial success is completely understandable and it must be emphasized that it is well-deserved, too. Jurassic Park is most likely the best adventure film of all time and even for the umpteenth time, you cannot take your eyes off it. Just the scene of arrival on the island is breathtaking, even without the presence of a single dinosaur. It’s impossible to say with certainty whether Janusz Kaminski would have filmed it better, but the camera work is phenomenal here, as are the visual effects, everything is underscored by the unique John Williams, who deservedly won two Oscars that year. ()

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Marigold 

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English The great trick revolution, or how silicon found happiness. Spielberg's creation set a new standard and opened up entirely new horizons for commercial cinema by massively involving computer effects into acted film. Unfortunately, it was forgotten that, in addition to tricks, Jurassic Park offered only cheap Crichton broth. The lizards have aged, the tricks are old, and we're left with this nicely gnawed skeleton of an adventure film that's relatively good, but not any more than that... ()

Matty 

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English A flawless example of integrating CGI into the narrative. Thanks to the fact that dinosaurs also appear as attractions in the fictional world and the characters perceive them as such, they film still has a palpable “wow” effect to this day (exemplary in this respect is the scene in which the main characters first see the dinosaurs in all their glory). At the same time, it is an excellent (or reprehensible, depending on how much you despise capitalism) example of how to incorporate merchandising into the story (the uniformity of the film’s logo and the park’s logo, the “incidentally” filmed gift-shop selection). Jurassic Park is a self-assured Hollywood product that gives you your money’s worth by providing superior entertainment that works in every respect. What fascinates me the most is that its effectiveness, which only a few directors have come close to matching, comes across as simply a matter of course. 85% ()

lamps 

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English An icon to which I owe much, and I’m not exaggerating. When I was little, it made me fall in love with Hollywood big movies, and with the passing of the years and with each new viewing, it has enriched me with more and more discoveries of how to make a perfectly polished and narrated Hollywood big movie. The immense ease with which the story is carried, unravelled and concluded is only a reflection of the meticulously thought-out screenwriting process and the result of Steven Spielberg's admirable work. Even after at least the fiftieth time, it makes me so happy to get carried away by the initial ideal family idyll, which gradually and smoothly turns into a thrilling adventure ride with the raptors that the film tastefully and systematically introduces in the opening scene. Spielberg's production design and Williams' brilliant score cause goosebumps with unlimited staying power, and the stunts just don't get any better or more believable. I love this film, its characters, its world, its story full of timeless directorial tricks (the vibrating water surface, the tree, the rebooting of the system...), and I love the unprecedented aware merchandising. Iconic status with capital I. ()

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