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This rock'n'roll adventure story tells of two unlikely lovers who accidentally double-cross the Detroit mob by stealing valuable contraband. Christian Slater and Patricia Arquette, flee to Los Angeles where they are sought by both gangsters and cops. (official distributor synopsis)

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Reviews (9)

Necrotongue 

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English Even though the material could have been handled better by the director, I still can’t give less than a four to Tarantino’s script. I imagine that the scene with Vincenzo Cocotti would probably have been one of the film’s highlights had Tarantino been the director. Otherwise, it must be the dream of many men (and possibly women) to have such a cute, blonde, indestructible bodyguard who is constantly smiling and always happy to snuggle. Anyway, I enjoyed the film and if the director shared the screenwriter's sense of humor, I would have enjoyed it beyond 5*. ()

DaViD´82 

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English Aside from Walken's Vincenzo, there's nothing here worth remembering. The dialogue lacks the bite that Tarantino would later apply to Reservoir Dogs or Pulp Fiction. Even Scott doesn't have the form or ideas of his earlier or future films. Slightly above average, it entertains more in individual scenes than as a whole. ()

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kaylin 

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English Although this film is based on Quentin Tarantino's screenplay, it's not something that left a deep impression on me. The film simply didn't entertain me, as if Scott couldn't properly convey what Tarantino intended on screen. Perhaps that's why he later preferred to direct everything himself or leave it to Rodriguez, with whom he simply clicked perfectly. I don't like "True Romance". ()

lamps 

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English It's easy to wonder what this film would be without Quentin Tarantino. Surely it would still have one of the most stellar casts ever, plus the skilled hand of Tony Scott, and an absolutely superb soundtrack by Hans Zimmer. But it would have lacked the soul that Tarantino's wonderfully relaxed screenplay gave it, and the story would have been completely lost. With all that, True Romance is one of the most charming and compelling crime stories I've ever seen, and Christian Slater and Patricia Arquette may be the best couple since Bonnie and Clyde. ()

J*A*S*M 

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English This is Tony Scott’s best film, hands down. A big share of that goes to Quentin Tarantino’s playful script that sets True Romance apart from Scott’s newer good films, like Enemy of the State. This film is not only nice to watch, but it’s at least equally nice to listen to the dialogues. ()

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