The Father

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In an Academy Award® winning performance, Anthony Hopkins plays the eponymous role of a mischievous and highly independent man who, as he ages, refuses all assistance from his daughter Anne (Olivia Colman). Yet such help has become essential following Anne's decision to move to Paris with her partner. As Anne's father tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality. (Lionsgate Home Entertainment)

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Reviews (11)

Goldbeater 

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English Small film, yet great. Within the first few minutes, The Father grabbed my attention perfectly due to its dynamic script, fast pace, and strong acting performances. Plus, I have to say that it was like an emotional rollercoaster ride that will leave you with goosebumps in the end. The spiral narrative ingeniously plays with the supporting characters and the perception of time and space. In addition, we experience its growing confusion and frustration with the main protagonist. Anthony Hopkins is at his best here. Everything he does and he feels is endlessly believable, and you forget that you are watching an actor. It was a force to be reckoned with, and it touched me like nothing else. ()

POMO 

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English In response to the question “are you afraid of death?”, someone once told me “no, I'm afraid of dying”. This film reminded me of that. Brilliantly written and with a fantastic performance by Hopkins, The Father is a mosaic of the decay of human memory and the loss of awareness of place, time and self. Set in a few rooms with a handful of actors, this is distressing and sad film, as if it had been written by a man who went through it himself and came back. Why watch such a film? To remind ourselves of how good we have it. ()

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novoten 

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English The exact opposite of what I expected from a screening of "an Oscar-winning film about a man with dementia". No obligatory ticking off of touching or disturbing points of the classic storyline, but rather an unpleasant, visually very modest, yet suffocatingly tight one-man show by Anthony Hopkins, without exaggeration the best performance of his career. The precisely cast supporting roles do not diminish his dominance; on the contrary, they help him shine even brighter. I can't give the highest rating purely for subjective reasons, because when I imagine that this awaits me with my own parent at some point, I have a little trouble even taking a breath. ()

3DD!3 

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English A depressing look into almost all of our futures, this time without robots or an atomic holocaust. We don’t even get a chemical weapons attack or a pandemic, but I found this absolutely blood-chilling. Hopkins’ one-man-show about ageing sets off on an adventure journey that you really don’t want to go on. Full of surprises, confusion, a caustic feeling that everybody has turned against you and keep on hiding your wrist watch. Perfect dialogs, precise directing, beautifully sad music. ()

Kaka 

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English An incredibly fresh cinematic probe into the issue of old age and the slow decline of both the physical and primarily the psychological that is uniquely turned around and dissected in detail from the perspective of the patient, not the people around them, so we don’t get any corny tearful scenes or any other similar mining of emotions. Zeller goes about it in a sophisticated, at times almost detective-like manner, and the phenomenal performance of Anthony Hopkins doesn't give the viewer a chance to breathe. Within the genre, an unusual atypical film that is worth seeing, although it is not an easy watch. ()

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