Lost in Translation

I was very curious to see how Sofia Coppola fared and I was looking forward to her top work so far. And I have to say I wasn’t disappointed. The film beautifully depicts the contrast between the usual, to which our heroes have been accustomed all their lives, and the exotic Japanese jungle, where their lonely souls seem far removed from their awkward and tormented bodies. Bill Murray is terrific, utterly convincing and charming as the bored movie star, and I have to say that he probably deserved the Oscar more than Sean Penn did for Mystic River. Even Scarlett Johansson, in one of her first big roles, proved that she’s not just a pretty face, but an extremely talented actress, and that she’s a more than capable co-star for the great Murray. It is the two of them, and the perfect chemistry between them, that greatly contribute to the flawless direction and make Lost in Translation one of the most enjoyable films ever made on a similar subject. There wasn't much missing, and even I was swept away to a full review. (22/10/2012)

The film ended and left me with mixed a feeling of utter bliss and sadness at the same time. Sofia Coppola tells this story from Japan very slowly, brilliantly portraying the atmosphere of a country that is linguistically and culturally very different. Two "lost" people meet in a hotel, feeling lonely and in need of communication, of listening to each other. They feel affection for each other and they both play it well, especially Bill Murray, whose performance is enhanced by the fact that his role is so different from any of his previous ones. You won't see any passionate kisses or tears running down faces, yet, or maybe that's why the two of them have an unusual spark. You won't laugh much, nor will you feel emotionally blackmailed, this film is neither a romance nor a comedy. Genre-wise, it's impossible to classify and the most appropriate simile I can think of is that it's just a beautiful film. A beautiful intimate story of two people, sometimes underlined by sad ambient music. Sofia Coppola's relationship with her famous father proves that the apple doesn't fall far from the tree. After the second viewing, I literally fell in love with this film. (29/01/2004)

"It's Suntory time..." Melancholy in its purest cinematic form. Scarlett is wonderful, but the clear driving force of the film is the incredibly natural Bill Murray. Sensitively filmed and with an absolutely great atmosphere that completely absorbs you and does not let you go until the closing credits. (22/01/2007)

There are not many cases when I empathized so much with the feelings of the heroes. Feelings of emptiness, loneliness, sadness, fear, warmth, and love. Bill Murray's mournful gaze has imprinted on me forever, as well as Scarlett Johansson's gentle face. Beauty that, when in the right mood, equals an absolute experience. (27/10/2005)

A very nice film. Gentle. And the characters in it don't act like they always do, but become people, real people. I was drawn into their midst. I didn't want to be a bystander. I wanted to walk around Tokyo. A city I long to visit. For all that, I'm simply forced to give it full stars. I just want to, and that's it. Because this film is first and foremost “human". All I can do is recommend it for viewing. (06/03/2009)