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Meet Hannibal Lecter for the first time... Adapted from Thomas Harris' first Hannibal Lecter novel, Red Dragon is the second big screen version of the book, following on from Michael Mann's Manhunter. FBI profiler Will Graham (Edward Norton) is ushered out of retirement by boss Jack Crawford (Harvey Keitel) to help catch serial killer The Tooth Fairy (Ralph Fiennes), who targets families each lunar cycle. Graham has an uncanny ability to project himself into the minds of his criminal prey, and decides to consult former mentor Dr. Lecter (Anthony Hopkins) on the Tooth Fairy case. (Universal Sony Pictures Home Entertainment)

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Lima 

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English Remember the various directorial ideas from Silence of the Lambs, such as the bell scene at the end, the psycho showing off in front of the mirror, or the night vision goggles? You won't find anything similarly refreshing here. Rattner is wooden, a man of routine who sticks one ordinary shot after another, and the result is so uninteresting and boring. It has no atmosphere, only once, at the end of the film, did a faint chill run down my spine. Norton and Keitel sucked, not to mention Hopkins, on the other hand Emily Watson and Fiennes were great and they are the only reason to watch this movie. So, the two stars are only because of them. Rattner, go back to the B-movies! ()

Kaka 

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English Less interesting in terms of plot and more routine, and visually far less attractive, almost ordinary. Red Dragon has almost nothing to captivate the audience, other than a few scenes with Emily Watson and Ralph Fiennes. An overly detailed copy of The Silence of the Lambs, with the difference that there is hardly anything good in here, and there’s plenty of bad. ()

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kaylin 

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English The newer adaptation of the book by Thomas Harris, which I personally consider worse than the one from 1986. In terms of story and atmosphere, I preferred the older version, which is somehow rougher. I don't mean in individual scenes, but as a whole. The new "Red Dragon" tries to be too much like "The Silence of the Lambs," but it doesn't succeed because the only thing that stands out are the performances, again led by Anthony Hopkins and the striving Edward Norton. ()

NinadeL 

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English This actually turned out to be a pretty enjoyable trilogy and the theme is still relevant. We arc back to the most popular period when the Doctor was in the office behind the Plexiglas, and we go through the whole story with him only to see the magical point of the "agent in waiting." Yet it’s of little use. Although Clarice is seemingly omnipresent, the fact that she is to be replaced by the entire solemn trio of Norton, Fiennes, and Keitel is simply not enough. I'm thus finding the same paradox as in The Silence of the Lambs, where Hopkins' scenes were damn good, but there weren't enough of them. Here we only got the scene with the nice blind lady and a candid scene from the research room. (Of course, it also doesn't look retro, but that's not really the point.) ()

gudaulin 

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English Red Dragon, of course, cannot compare to the precise and visually impressive The Silence of the Lambs. It is still a decent bit of filmmaking, but Ratner is an average director, simply an ordinary film craftsman who follows in the footsteps of his more famous colleagues. There is a lack of impressive original scenes here, the delicate game with the viewer that allowed the widest audience to navigate an ethically problematic subject where the main protagonist is a brutal serial killer. I have no issues with the cast, and Ralph Fiennes particularly enjoys his role as a psychopath. Overall impression: 60%. ()

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