Chernobyl

This captivating dramatization of the Chernobyl nuclear disaster and the de facto fall of the USSR is built primarily on precise acting performances, stark realism and on the logic of its appealing delivery. With any luck, the infallible Jared Harris is on his way to winning an award. The final summary of the events leading up to the explosion is flawless in its delivery. Excellent editing, a compelling visual style and superb work with the sound of dosimeters in important scenes build up maximum suspense. Even though Putin has his complaints, the series Chernobyl tries not to cut too deep into the Soviets and, on a political level, the focus is rather on deflection and half-truths in general. The creators were fair in this respect. The KGB easily could have been the CIA if of the meltdown had been in the US; it's highly probable that everyone would have acted the same way. People are people regardless of any affiliation with a political party and almost everyone wants a promotion. In both the state and corporate machinery, the results are the most important thing and security is just a word to people who are unable to comprehend it, and yet they try to climb to the top of the food chain. So the exceptional heroism doesn’t represent a fight against ideology, but against incompetent people with dangerous powers. Of course, it also answers the question of why it all happened, and the answer isn’t surprising at all. They cost less. (08/06/2019)

I was going to write the event of the year, but this is the event of the century, because no series or movie has ever gotten more than 97% on FilmBooster, IMDB and similar ratings on Rotten Tomatoes, and the hype is well deserved. In five episodes, HBO serves us in detail the worst man-made disaster of 1986, and the series is a clear proof that the best screenplay is reality itself. The series features plenty of chilling, atmospheric and dense scenes (divers, disposal of infected animals, decomposing bodies in a hospital and self-sacrifice for humanity). Each episode is 100% and in each episode the series focuses on something different, all culminating in a tense trial where I forgot to breathe. The duo of Jared Harris and Stellan Skarsgård steal the show for themselves with their performances, and I really enjoyed the political meetings where the Soviet Union is shown in its true light. A proper piece of filmmaking and probably the most chilling, depressing and uncomfortable spectacle ever. A must see for all and I would make it mandatory at schools. 100% (06/06/2019)

This is an event. The initial puzzlement has a quick half-life, as those disembodied moments eventually stand out more than the tangible pressure. It’s a screenwriting university on how to handle the "based on a true story" license while staying in observation mode. It’s a perfect study of human arrogance, lack of humility, and unwillingness to face the truth. A live broadcast of lies that has been coming to us for over thirty years. With all due respect to all the criticisms, the hype is well deserved. (05/06/2019)

"Every lie we tell incurs a debt to the truth. Sooner or later that debt is paid." One of those historical events that you think you know about, but you actually don't, even if you have read Alexijevic and watched Zero Hour. Much (if not everything) could be written and praised about Chernobyl: from the procedural focus to the horror styling, the cinematography, the actors' unforced, unintentionally ridiculous "as if Eastern" diction, to the impact on knowledge and emotion. The way the creators combine genres, with education, warnings, subtexts and tributes, is unparalleled in cinema or quality TV. The way… Well, I already mentioned that much could be written and praised, but there is no reason, because the result is an experience that gets under your skin and you just can't get it out of your head. It’s not 5/5, it’s 15,000/3.6. (12/06/2019)

Undeniably quality TV, which is almost impossible to follow with both an emotional and a rational perspective. As the number of episodes increases, the frustration factor is fanned from an enflamed injustice to almost a burning anger over all the cruel wrongs and resulting suffering. Because of this, I can't give it a fifth star on principle, even though the phenomenal Stellan Skarsgård deserves it with every (un)blinking look. (27/08/2019)