Dunkirk

Though Nolan’s previous films were more refined in terms of narrative and intellectually more ambitious, their ostentatious structure often overshadowed emotion. Dunkirk, which stays more grounded in a number of respects, is his most functional prototype of the epic movie that Hollywood currently needs, a major film that you will want to see not only in a technically well-equipped cinema (preferably IMAX), but also repeatedly. Thanks to Nolan’s focused direction, everything in the film is subordinated to the maximum sensory experience, the intensity of which rises with each viewing, as you become better oriented in the temporal relationships between the individual storylines and can experience more while working less on solving the narratological puzzle. Dunkirk is intoxicating, dizzying and unrelenting in its intensity from start to finish. (Viewed three times in the cinema, of which IMAX twice.) 90% (10/08/2017)

Pomo, you just didn't get it. This isn't "sloppily edited", this is the brilliant creative intent of Nolan. The way he works with time in this film, how he tells three storylines through different time spans and then glues them together with the surgical precision of a master watchmaker, letting them intersect at the end to achieve a cathartic effect is simply admirable. Brilliant screenwriting. And this film has such high production values that I wouldn't hesitate to compare it to David Lean's war epics. This film will be the subject of extensive essays in film schools in the future, and film theorists will discuss it until judgement day. And it’ll get Oscars for sure. (25/07/2017)

A fascinating production background and a demonstration of the capabilities of a Hollywood blockbuster at its peak. However, there’s no emotion in there. It's like a war documentary but without the distinctive voiceover. I understand that this was the creative intent, but for the first time in my life I was missing Nolan and suddenly it felt like when a girl cheats on you after being in a happy relationship for years. I'll give it another chance in time, but I'm afraid that without the assistance of the IMAX format, my opinions will just be solidified. (22/07/2017)

The architecture of time and space prevents Dunkirk from looking like a malnourished drama with fleeting characters that again perform more assigned narrative functions (such as Branagh's sculptural explanation), rather than embody some deeper thoughts. In the end, Dunkirk, with all its efforts to achieve objectivity, cannot avoid pathetic words and premature dramatic abbreviations. It’s been a long time since the war has had such a booming and creaking physical element. Unfortunately, the demolished drums are the only thing I carry with me the day after. For me, it’s more of a noble imitation that has to fire on all cylinders to cover the inner emptiness and lack of nuances. The greater the ambition Nolan has in working with a storytelling perspective, the more doubtful the results. The modest, but psychologically and narratively incredibly functional and agile film The Prestige remains an unattainable goal. Dunkirk is a flashy creative maneuver that creates a big wave around itself. However, it does not reach the depths. (26/07/2017)

This badly edited depiction of the hellishness of war is packed with great shots and a retro atmosphere that is nicely enhanced by celluloid impurities in the picture and the absence of ostentatiously digital elements. The tension in the film (even in scenes that don’t need it) is created only by its soundtrack. But after the end of the movie, I was glad to enjoy some precious silence. (19/07/2017)