Rambo: Last Blood

The story is simple as a Justin Bieber fan, but surprisingly it does makes sense. Like the previous episodes, this is a prime Republican flick, where even the Bulgarian production background doesn't matter. And Stallone, even though he's over seventy, is still badass, he doesn't come across as over-the-top in his iconic position, and it never occurred to me while watching that he should call it a day. And many thanks for the lack of political correctness, Sly never gave a toss about that. (21/09/2019)

This B-movie works thanks to nostalgia for John Rambo and Sly. And also thanks to the sufficient work with emotions (however basic they may be). Last Blood takes its time and gives plenty of space to all of its few characters in the simple story. Because of that, the climax is surprising and seems unpleasantly rushed, while lacking the energy accumulated in the build-up and coming up short with the catharsis that the film was aiming for and which should have been substantially more powerful. (09/01/2020)

I gave this a slightly higher rating because it’s just the kind of film you make a daughter watch if she refuses to do what she’s told… This brutal Rambo epilogue has a long, unsurprising exposition, a classic western structure and an aging legend that can still deliver the goods. Direct, hard-hitting. The climax in John’s tunnel of surprises is really bloody and the annihilation of the evil Mexicans is heartwarming... Hehehe. (01/12/2019)

Eighty minutes of tired old-man melancholy without a drop of action and fifteen minutes of a sped-up Home Alone ripoff. This is, in short, Rambo: Last Blood. Did anyone actually want that? After a high-quality, action-packed and especially ballbusting fourth movie, which should have ended the series with all its dignity intact, came this practically unjustifiable lullaby, built on a banal script and forced emotions for one-dimensional supporting character shoehorned into an established series, who the audience is expected to feel for. A forgettable sequel with ugly CGI effects and a picture undeserving of the character John Rambo. (13/01/2021)

Rambo has changed in the last two episodes and it's understandable because Stallone has changed, too. While the first three episodes show Rambo as essentially a good guy cornered by the political system and other people's prejudices, the last two episodes refer very well to current issues in the world today and the inability to systematically address them effectively enough. It doesn't matter if it's tribal wars in Burma or hunting prostituted girls in Mexico. Both are and have been more or less topical, and both Stallone and Grunberg are keeping within identical intentions and boundaries. So the last episode is still a relatively dark, raw carnage, only that it moves from the natural jungle to the urban jungle, with similar results and message – it is there, you just need to find among the clichés that surrounds it. Because yes, somehow a simple revenge story has to be grafted onto that core in order to even make it to the cinemas and at least be somewhat appealing to those viewers who only see the peripheral attributes of explicit violence, cool weapons and an iconic hero. The objections are that it's not quite the same, but when compared to the original films, which had a completely different focus and defined 1980s action. You have to take into account that this is still the same hero at the core, just living in a different time, in a different world. It doesn't reach the high-octane carnage of the previous episode, but I take the melancholic first half as well as the second one any day. (24/09/2019)