12 Angry Men

  • USA 12 Angry Men (more)
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Twelve average New York males convene in a very small jury room on a very hot day in order to reach a verdict in a murder trial. Almost everyone wants to vote guilty and get on with their lives except for Juror No. 8 (Henry Fonda), a conscientious citizen who insists on establishing reasonable doubt. Arguments are made, cigarettes are smoked, murder weapons examined, diagrams drawn, and prejudices revealed. Firm opinions weaken and reverse; voices get raised, the clock ticks, and a ghetto kid's life hangs in the balance. (official distributor synopsis)

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Reviews (8)

Remedy 

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English It's fascinating to watch the dueling emotions, facts, life experiences, and analytical thinking. I can't remember a film that could portray the characters of all (twelve!!!) characters so bravely in 90 minutes. Or rather, I have no reason to think otherwise. 12 Angry Men is a real gem in the field of cinema; better yet, it bears a proud trace of Czech in the form of Jiří Voskovec. ()

DaViD´82 

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English One room and twelve white men from different walks of life, with different personalities and each with absolutely different origins. Their twelve different perspectives on one court case. Truth isn’t the issue here. It’s about whether the evidence is convincing enough to find somebody guilty on the basis of it, and send him to the gallows. Perfect dialogs, actors and rising tension in the atmosphere. But mainly the screenplay. Twelve Angry Men isn’t just one of many good court movies; it is one of the very best. A feature film debut not equaled by many. ()

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gudaulin 

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English For mysterious reasons, I've missed out on this generally well-known film for decades, even though it must have aired on TV a long time ago and probably repeatedly. I am therefore not influenced by nostalgia, and in fact, I saw a remake of it by Nikita Mikhalkov some time ago. If you don't have the opportunity to see the compared films at the same time, it is better to avoid comparison, as relying on memories can be deceitful. However, it is true that Mikhalkov's version seemed disproportionately more impressive and fresh to me. In the 1950s, Lumet's film undoubtedly represented a fundamental element of the courtroom drama genre. It was a film that rightfully stood out among the productions of that time. However, from my point of view, it has lost its impact. I also find the selection of actors and their portrayal inappropriate. The drama flows without any surprises, and the actors diligently fulfill the predictable roles assigned to them by the director, I guessed the order in which the opinions of 10 out of the 12 jurors would change, and that is definitely not a good credential. Usually, I don't have a problem with the theatrical appearance of a film, or with "talkative" movies. But this is an exception. Overall impression: 55%. ()

kaylin 

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English Once again, I didn't believe in the movie and I had to see it with my own eyes to find out if it's really as great as people say. Well, let's face it, it's excellent. The way a one and a half hour long film, set in one place, manages to captivate is almost unbelievable. Excellent actors who portrayed this story perfectly. ()

novoten 

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English A breathtaking spectacle with truly amazing actors who perfectly convincingly portray characters with precisely defined personalities but with changing opinions and unpredictable psyches. Lumet simply directed a brilliantly gripping drama, where even a scene of imitating an elderly person's walk stretches the viewer to the breaking point. And the best thing about it is that the point is not whether the defendant is guilty or innocent, but whether it is possible to question his guilt. ()

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