I, Tonya

As excellent as the performances are, the true star of the film is Gillespie, the director, who managed put together a boisterous story with motivations that cannot be fully understood and where you don’t really have anyone to root for due to the moral ugliness of all the characters, and he did it in such an energetic and coherent way, comparable to Martin Scorsese at his best. I can’t remember any other film where I enjoyed so much the retrospective structure supplemented by the narration of the participants, all complemented with “Soderbergh-like” breaks in the shape of the remarkable soundtrack, on which the staging of many scenes depends, or the sudden time jumps for the sake of more striking twists. Under this barrage of great ideas and interesting (though awful) characters, it almost doesn’t matter than the runtime could have been shorter and the secondary plots better resolved. A welcome breath of fresh air to the stereotypic Academy shelves, it’s a pity that Margot didn’t get there, too. (27/02/2019)

Yeah, I remember the controversy around Tonya Harding, but it was interesting to see the story background. Based on the title of the film, I was expecting a drama about how some athletes will do anything to participate in the Olympics. The story was weirdly fragmented, though, as if the filmmakers wanted to handle multiple themes at once, not fully focusing on any one of them. Despite some reservations, I was intrigued by the film, Shawn and his boys took care of the laughs, and I particularly enjoyed the mother-daughter relationship portrayed by Allison Janney and Margot Robbie. (01/07/2018)

This biographical character study featuring well-developed characters is interesting due to the contrast between the protagonist’s redneck nature and the refined world of figure skating, which is everything for her. The world from which she came and the crowd that surrounds her (and that she has chosen for herself) produce drama worthy of a genre movie, event though no lives are put in danger. Great actors, engaging athletic performances. (04/03/2018)

Far more interesting than the figure skating itself here is the portrayal of Tonya's struggle with public opinion and her pathetic effort to improve her visual self-presentation on the ice. Whereas her toxic yet rather ambiguous relationship with both her mother and her own husband is a chapter unto itself. It can't go without notice that Margot Robbie has notably porked up and "gotten ugly" for this role so her performance as an American hillbilly can be properly authentic. When you think of Margot Robbie in any other film, the contrast between her usual beauty and the unattractiveness she has here is almost adorable. Craig Gillespie has an exquisite flair for engagingly portraying key scenes, which is already evident in the opening on the ice, when a fuming mother in the middle of the rink pushes her four-year-old daughter "to teach her a lesson". The fact that the individual characters are portrayed rather contradictorily, and that you’re rooting for the film itself rather than the protagonist, moves the whole narrative into uncharted waters as far as autobiographical adaptations are concerned. [85%] (18/04/2022)

Quite an interesting story of Tonya Harding, and the only reason I watched the film is because I like sports dramas where the underdog kicks everyone’s asses. The opening met my expectations and I wanted to praise the excellent Tilda Swinton as the mother, but now I realise it was actually Allison Janney, well never mind she was perfect and to remove her after half an hour is a reprehensible mistake. That's like someone removing J.K. Simmons from Whiplash, without him the film definitely wouldn't have gotten the recognition it has now. As for Tonya herself, unfortunately there's not much skating, the rivalry is mostly nonexistent and she performs the same tricks over and over. The film focuses more on her personal life and her relationship with her husband, which at times was reminiscent of The War of the Roses, but I wasn't really interested in that. Pros: Margot Robbie and Allison Janney both solid, an interesting story. Cons: slow pace, humour only in the first 30 minutes then absent, lack of skating and o an intense finale like in Borg vs. McEnroe, for example. 6/10. (23/02/2021)