ザ・リング
Directed by:
Gore VerbinskiCinematography:
Bojan BazelliComposer:
Hans ZimmerCast:
Naomi Watts, Martin Henderson, Brian Cox, David Dorfman, Jane Alexander, Lindsay Frost, Amber Tamblyn, Rachael Bella, Daveigh Chase, Shannon Cochran (more)VOD (2)
Plots(1)
Rachel Keller is a journalist investigating a videotape that may have killed four teenagers (including her niece). There is an urban legend about this tape: the viewer will die seven days after watching it. If the legend is correct, Rachel will have to run against time to save her son's and her own life. (Umbrella Entertainment)
Videos (2)
Reviews (11)
There are some excellent scenes, and a few compositionally clever shots, but after it finished I told myself “Is that it?”. I don't know what it was that didn't work, but I just wasn't scared, which is a pretty serious problem with horror. The Ring just fizzled through my head. I have quite a problem with remakes of Japanese horror movies.
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A remarkable thing. The Japanese original is probably a completely different film, but Gore Verbinski managed to capture a brilliant atmosphere in his remake, he succeeded in several nice compositions and visually excellent scenes. Traditionally, a ton of attention is drawn to the exceptional Naomi Watts, who has been in her best acting form in the past decade.
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Genre-wise, it's one of the best psychological horror films of the decade, a very successful remake of the original Japanese version, which is stylistically more appealing but less digestible for the Euro-American viewer. In terms of gradually building atmosphere, it is very well executed both in terms of direction and screenplay. Overall impression, 90%.
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An excellent horror, just the behavior of the characters at the beginning was a little strange. Verbinski layers up atmosphere, combining unpleasant chill with several very effective shockers. The investigation into the origin of the video tape drives the story nicely forward and several scenes are wonderfully surreal - the horse on the ferry, falling into the well, Samara’s emergence. Very good.
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After more than ten years since the creation of the film, I am surprised how much the audience is fixated on Kruh as a devastating horror. And yet it works much better in its thrilling suspenseful dimension. Verbinski's move with the endless delaying of all the scary moments evidently succeeded. It then leads the viewer towards death through suspenseful scenes (watching the tape, discovering its images in the real world, the horse, the old Morgan) right to the literal edge of the well. You don't want to hurt anyone, do you? - But I do
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