L.A. Confidential

Yeah, I got it after a second screening. A brilliant crime drama with a sophisticated script and the wonderful atmosphere of 1950s L.A., the film's main strength. The same can be said of the perfect cast lead by Crowe’s macho protector of women, he’s flawless. Guy Pearce outdoes himself here, this role opened him the door to the acting elite for a while, before it embarrassingly slammed in his face again a few years later. I am not giving this 5* just because the fairly similar Polanski's Chinatown is a notch better. (13/04/2003)

Directed in a clear, formally "retro-cool" style, the plot is multi-layered yet still engaging, and the acting is perfectly precise. It deftly makes 1950s America and the City of Angels into an alluring backdrop, within whose seemingly heavenly purity lies the dirtiness of a morality to which human life, let alone the law are sacred. Over the expansive 130-minute runtime, Hanson fleshes out the characters of the police officers, who surely deserved better personal histories than the boilerplate phrase about an abused child's sordid past or an exemplary son following in his father's footsteps. This is only broken by Kevin Spacey's cynical, self-righteous Jack Vincennes when, when asked why he joined the police, he replies "I don't really remember." Yet even that doesn't stop the film from captivating us with every frame, from breathing its amazing atmosphere onto audiences, but also making them wonder how the hell Kim Basinger could win an Oscar for such a role. PS: For me, the moment when Bud White breaks the chair is one of the most iconic moments of cinema. (08/12/2006)

Lol, who wouldn't want to be a tough guy like Bud White? To crush criminals with a fist of stone and gently protect women with the same hand? Russell Crowe perfectly plays the type of character that earned him his fame - the type of unbreakable tough guy with character. Guy Pearce as Lieutenant Exley is his excellent counterpoint - slimy, devious... L.A. Confidential utilizes their mutual energy, which they initially repel and then unite in a deadly blow. The seemingly disparate story, which flows in all directions, harmonizes perfectly in the finale and culminates in a magnificent shootout gambit. In the end, from the genre paintings of Sinful People of L.A., it becomes detective story with a good point and with a nice twist. Curtis Hanson has proven to be a pretty cool guy - his directing swings, the images alternate with brisk action and convincing retro... it's just one big dose of "dirty" police goodness. Rough, straightforward and as graceful as Kim Basinger’s ass. Jesus fuckin´ Christ! (05/11/2007)

One of the best crime movies I have ever seen, and also one of the best scripts. Complex, mysterious, unpredictable, yet not confusing, it can be understood with a little attention. Personally, (hough it is a very similar movie) better than The Usual Suspects, because whereas that one mainly benefited from its shocking ending, here everything is carefully dissected, making the whole a little better. Curtis Hanson made a great film, one of the best crime movies and one of the most accomplished scripts ever. (22/07/2004)

One of the themes of this film is organized crime. After all, it is about controlling Mickey Cohen's activities. Police corruption takes the lead role, though. I'm not exactly a fan of Russell Crowe, to put it mildly, but the film is so perfect that I actually liked him in it, too. A stellar cast, excellent writing and direction, perfect retro vibe, not a single dull moment. I can't find any fault with this film. L. A. Confidential is definitely one of my favorite crime movies. (24/07/2017)